The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to educationBrewster, David
History
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education
Brewster, David
Stereoscope
The chromatic stereoscope is a form of the instrument in which relief
or apparent solidity is given to a single figure with different colours
delineated upon a plane surface.
If we look with both eyes through a lens LL, Fig. 42, about 2½ inches
in diameter or upwards, at any object having colours of different
degrees of refrangibility, such as the coloured boundary lines on
a map, a red rose among green leaves and on a blue background, or
any scarlet object whatever upon a violet ground, or in general any
two simple colours not of the same degree of refrangibility, _the
differently coloured parts of the object will appear at different
distances from the observer_.
[Illustration: FIG. 42.]
Let us suppose the rays to be _red_ and _violet_, those which differ
most in refrangibility. If the red rays radiate from the anterior focus
R, or red rays of the lens LL, they will emerge parallel, and enter the
eye at _m_; but the violet rays radiating from the same focus, being
more refrangible, will emerge in a state of convergence, as shewn at
_mv_, _nv_, the red rays being _mr_, _nr_. The part of the object,
therefore, from which the red rays come, will appear nearer to the
observer than the parts from which the violet rays come, and if there
are other colours or rays of intermediate refrangibilities, they will
appear to come from intermediate distances.
If we place a small _red_ and _violet_ disc, like the smallest
wafer, beside one another, so that the line joining their centres is
perpendicular to the line joining the eyes, and suppose that rays from
both enter the eyes with their optical axes parallel, it is obvious
that the distance between the violet images on each retina will be
_less_ than the distance between the _red_ images, and consequently the
eyes will require to converge their axes to a _nearer_ point in order
to unite the red images, than in order to unite the violet images. The
red images will therefore appear at this nearer point of convergence,
just as, in the lenticular stereoscope, the more distant pair of points
in the dissimilar images appear when united nearer to the eye. By the
two eyes alone, therefore, we obtain a certain, though a small degree
of relief from colours. With the lens LL, however, the effect is
greatly increased, and we have the _sum_ of the _two_ effects.
Public-domain text, read in full here on John Shaqi.
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