The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to educationBrewster, David
History
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education
Brewster, David
Stereoscope
“With respect,” says he, “to the means of preparing the binocular
photographs, (and in this term I include both Talbotypes and
Daguerreotypes,) little requires to be said beyond a few directions as
to the proper positions in which it _is necessary_ to place the camera
in order to obtain the two required projections.
“We will suppose that the binocular pictures are required to be seen
in the stereoscope at a distance of eight inches before the eyes, in
which case the convergence of the optic axes is about 18°. To obtain
the proper projections for this distance, the camera must be placed
with its lens accurately directed towards the object successively in
two points of the circumference of a circle, of which the object is the
centre, and the points at which the camera is so placed must have the
angular distance of 18° from each other, exactly that of the optic axes
in the stereoscope. The distance of the camera from the object may be
taken arbitrarily, for so long as the same angle is employed, whatever
that distance may be, _the picture will exhibit in the stereoscope
the same relief_, and be seen at the same distance of eight inches,
_only_ the magnitude of the picture will appear different. Miniature
stereoscopic representations of buildings and full-sized statues are,
therefore, obtained merely by taking the two projections of the object
from a considerable distance, _but at the same time as if the object
were only eight inches distant_, that is, at an angle of 18°.”[50]
[50] _Phil. Trans._, 1852, p. 7.
Such is Mr. Wheatstone’s rule, for which he has assigned no reason
whatever. In describing the binocular camera, in which the lenses
must be only 2½ inches distant for portraits, I have shewn that the
pictures which it gives are perfect representations of the original,
and therefore pictures taken with _lenses_ or cameras at any other
distance, must be different from those which are seen by the artist
looking at the sitter from his camera. They are, doubtless, both
pictures of the sitter, but the picture taken by Mr. Wheatstone’s rule
is one which no man ever saw or can see, until he can place his eyes
at the distance of _twenty inches_! It is, in short, the picture of a
living doll, in which parts are seen which are never seen in society,
and parts hid which are always seen.
Public-domain text, read in full here on John Shaqi.
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