The stone age in North America, vol. 2 of 2Moorehead, Warren K. (Warren King)
History
The stone age in North America, vol. 2 of 2
Moorehead, Warren K. (Warren King)
Indians of North America -- Antiquities; Stone age -- North America
The Canadian and Utah and Dakota cultures have been described by
Professor Montgomery in Chapter XXXV. I have run over these various
cultures very rapidly. Much more could be said regarding each one. The
finding of different kinds of implements on a given site may indicate
different cultures, for it is probable that a favorable site was
selected by subsequent tribes after it had been abandoned by the first
occupants. This should be borne in mind by students.
THE STONE-AGE POINT OF VIEW
During the Boston meeting of the Anthropological Association, December
27, 1909, at the conclusion of a paper on “Myths of the Cayapa Indians
of South America,” by Dr. S. A. Barrett, remarks were offered by several
gentlemen, including Dr. Franz Boas. He took occasion to emphasize how
important was Dr. Barrett’s work among a people as yet untouched by
civilization, and as the point of view of these Cayapa Indians was so
different from ours, it was difficult for us to understand their motives
and conceptions. All truly primitive people live in a world so apart and
removed from our own that one should be able by long study to place
himself mentally in that world. Because many observers were not in
sympathy with the thoughts of these primitive peoples, and could not
forget that they (the observers) were the product of a higher culture,
therefore, much misinformation has been disseminated regarding primitive
beliefs and customs. Other ethnologists spoke along similar lines.
The above is a truism that every student of prehistoric times should
realize, and at the risk of wearying my readers I repeat—and I trust
these are not vain repetitions—that we must realize what the term stone
age conveys. Nothing that we have in use to-day was known to stone-age
man—even so common a thing as fire is confined and changed to suit our
will.
Various effigies, polished problematical forms, bright copper, shell or
mica, pottery, textile fabrics, and forms in wood—these were the extent
of his art. He knew no horizon beyond the stone effigy, the ornamented
gorget, etc. A colored stone, piece of copper, or anything in stone
unusual attracted his eye. I believe that these appeared to him
different from ordinary stones. For the same reason he must have
considered hematite as more or less of a mystery. It is very hard to
work, and because of its heaviness and the difficulty of reduction to
desired shape, one may surmise it appealed to him as a “mystery stone.”
Public-domain text, read in full here on John Shaqi.
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