The stone dragon and other tragic romancesGilchrist, Murray
General
The stone dragon and other tragic romances
Gilchrist, Murray
Fantasy fiction, English; Paranormal fiction, English; Short stories, English
I showed it to Gabriel; but he scarce seemed to heed. His eyes and
mind were fixed on the woman who stood looking at us, the candle held
above her head. To tell the truth, I never saw a stranger creature. She
wore a long gown of amber cloth, padded voluminously, but unbuttoned
at the bosom and showing her brown, wrinkled throat. Her feet were
shoeless, and were covered with grey stockings. Her face was profoundly
unhallowed. There were remains of marvellous beauty; unparalleled
eyes, pure and light blue and unfathomably deep, under white, knotted,
bushy brows. No other feature did I note, save loose, prehensile lips
and rippling flaxen hair that fell, like a young girl’s, in great
locks over her shoulders. In truth, she had sinned monstrously; and
in punishment thereof Nature had gifted the most alluring of her
sweetnesses with a perenneity of youth: so making her a frightful
anomaly--a terrifying Death-and-Life. She stood bowed; her mouth
twisting, her eyes falling with inquiry on me. Gabriel she scarce
observed; and I know not what in myself attracted her. I was excited,
and could scarce repress my mirth. Yet, when I think of it, how oddly
laughter would have rung along that mildewed passage! How Sara in the
painting of the Angel’s Visit would have smiled a grimmer smile!
After a while, sighing heavily, she turned and led the way to a great
room. Here she lighted two candles on the central table and, bidding
us wait for a little, disappeared. We could hear her movements grow
more and more distant. I sat on a tiny settee--(bah, how cold it
was!)--whilst Gabriel wandered about, lifting the candle at times to
the Italian landscapes painted on the panelling. ‘The Colosseum!’ he
cried suddenly--‘and not ruined, but in its full pride. See, I can’t
understand this!’ He drew me towards the picture (poor Gabriel was
always a lover of art),--I looked, and was amazed to see the building
I had so often dreamed of glistening in the moonlight. But my gaze was
not so deeply interested as his, and, leaving the picture, it fell
upon the miniature of a young girl above the mantelpiece. A host of
memories came, my eyes grew dim, my chin trembled. Surely--surely--the
likeness was familiar? Yet it could not be. The woman with the web of
flaxen hair, Lenore whom I had lost, but never loved, Lenore whom I had
forgotten years ago. Lenore with a rose--a lust-flower--a flower of
volupty--warming the iciness of the breasts it glowed between! _Lenore!
Lenore! Lenore!_
I could not show it to Gabriel. It was not Lenore. How should the
portrait of the holy witch, who slept so peacefully, encounter me here
of all places? Fie! An instant, and I had fallen to speculating as the
jack-o’-lanthorn of my folly bade, when the hostess came back. She bore
a pan of live coals and a bundle of fagots; these she threw on the
hearth, so that a bright flame was soon leaping giddily up the chimney.
‘Gentlemen,’ she said, ‘your chamber is making ready. Supper shall be
laid anon.’
Public-domain text, read in full here on John Shaqi.
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