The stone dragon and other tragic romancesGilchrist, Murray
General
The stone dragon and other tragic romances
Gilchrist, Murray
Fantasy fiction, English; Paranormal fiction, English; Short stories, English
My lord went to an upper chamber whence he could see the outlet of
the maze. The belling of his red-eyed dogs as they strutted in their
leash tickled his ears: he laughed and rubbed his forehead. The moon
rose, and he could hear Roxana clamouring in the hall. After a while
he descended by another way, and took out his death-hounds, and went
towards the trysting-place.
Roxana could not know what happened in the darkness. The agony of the
man whose every vestige of clothes was torn away, and whose white flesh
gaped bloodily, was hidden from her by the seven feet of masonry that
parted them as he leaped madly into the courtyard. Nor could she hear
his worn, querulous cry--such a cry as the peewit makes before dawn.
Yet, withal, her hands began to drum in her lap.
When the darkness was intense my lord came back. He felt for Roxana in
the place where he had left her. She was not there: an hour before she
had climbed to the gallery. He groped painfully round the walls.
In one corner soft delicious things like nets of gossamer fell on his
fingers. He stooped to the floor, and touched more of them. Above was
a sound of tearing, but no panting nor indrawing of breath. Another
web fluttered past his face; his lips began to quiver. It was Roxana’s
hair.
THE PAGEANT OF GHOSTS
A late twilight in June. A wood-lark rippling in mid-air.
Drowsy-scented ladies’ bed-straw in a marsh that was once a garden. On
the terrace wall, beside the cedar, a stone urn with a lambent flame.
The casement hung open, and the excess of beauty and perfume drugged
me: so that, with a sigh, I sank back into a moth-eaten sedan that
had borne four generations to Court. Dried dust of lavender and rue
filtered through the brocade lining, and grew into a mist, wherethrough
the bird’s song waxed fainter and fainter. Indeed, I was just closing
my eyes when the tuning of fifes and viols roused me with a start.
A shrill titter from the further end of the ball-room drew me from my
seat. At the outer extremity of the oriel hung a curtain of Philimot
velvet, lined inwardly with pale green silk: behind this I stole, and,
parting the draperies from the wall, gazed towards the musicians’
gallery. Five men, dressed in styles that ranged from the trunk-hose
and collared mantle of Elizabeth’s day to the pantaloons and muslin
cravats of the third George, were arranging yellow music-sheets on the
table. The youngest forced a harsh note from his viol, then struck
another’s bald pate, and set all a-laughing. A grave silence followed.
Then began just such a curious melody as the wind makes in a wood of
half-blighted firs.
Public-domain text, read in full here on John Shaqi.
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