§ II. It is evident that if we are to place a continuous roof above the
line of arches, we must fill up the intervals between them on the tops
of the columns. We have at present nothing granted us but the bare
masonry, as here at _a_, Fig. XXXV., and we must fill up the intervals
between the semicircle so as to obtain a level line of support. We may
first do this simply as at _b_, with plain mass of wall; so laying the
roof on the top, which is the method of the pure Byzantine and Italian
Romanesque. But if we find too much stress is thus laid on the arches,
we may introduce small second shafts on the top of the great shaft, _a_,
Fig. XXXVI., which may assist in carrying the roof, conveying great part
of its weight at once to the heads of the main shafts, and relieving
from its pressure the centres of the arches.
[Illustration: Fig. XXXVI.]
§ III. The new shaft thus introduced may either remain lifted on the
head of the great shaft, or may be carried to the ground in front of it,
or through it, _b_, Fig. XXXVI.; in which latter case the main shaft
divides into two or more minor shafts, and forms a group with the shaft
brought down from above.
§ IV. When this shaft, brought from roof to ground, is subordinate to
the main pier, and either is carried down the face of it, or forms no
large part of the group, the principle is Romanesque or Gothic, _b_,
Fig. XXXVI. When it becomes a bold central shaft, and the main pier
splits into two minor shafts on its sides, the principle is Classical or
Palladian, _c_, Fig. XXXVI. Which latter arrangement becomes absurd or
unsatisfactory in proportion to the sufficiency of the main shaft to
carry the roof without the help of the minor shafts or arch, which in
many instances of Palladian work look as if they might be removed
without danger to the building.
§ V. The form _a_ is a more pure Northern Gothic type than even _b_,
which is the connecting link between it and the classical type. It is
found chiefly in English and other northern Gothic, and in early
Lombardic, and is, I doubt not, derived as above explained, Chap. I. §
XXVII. _b_ is a general French Gothic and French Romanesque form, as in
great purity at Valence.
The small shafts of the form _a_ and _b_, as being northern, are
generally connected with steep vaulted roofs, and receive for that
reason the name of vaulting shafts.
Public-domain text, read in full here on John Shaqi.
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