§ XXXV. Finally, as regards quantity of ornament I have already said,
again and again, you cannot have too much if it be good; that is, if it
be thoroughly united and harmonised by the laws hitherto insisted upon.
But you may easily have too much if you have more than you have sense to
manage. For with every added order of ornament increases the difficulty
of discipline. It is exactly the same as in war: you cannot, as an
abstract law, have too many soldiers, but you may easily have more than
the country is able to sustain, or than your generalship is competent
to command. And every regiment which you cannot manage will, on the day
of battle, be in your way, and encumber the movements it is not in
disposition to sustain.
§ XXXVI. As an architect, therefore, you are modestly to measure your
capacity of governing ornament. Remember, its essence,--its being
ornament at all, consists in its being governed. Lose your authority
over it, let it command you, or lead you, or dictate to you in any wise,
and it is an offence, an incumbrance, and a dishonor. And it is always
ready to do this; wild to get the bit in its teeth, and rush forth on
its own devices. Measure, therefore, your strength; and as long as there
is no chance of mutiny, add soldier to soldier, battalion to battalion;
but be assured that all are heartily in the cause, and that there is not
one of whose position you are ignorant, or whose service you could
spare.
FOOTNOTES:
[70] Vide "Seven Lamps," Chap. IV. § 34.
[71] Shakspeare and Wordsworth (I think they only) have noticed this,
Shakspeare, in Richard II.:--
"But when, from under this terrestrial ball,
He fires the proud tops of the eastern pines."
And Wordsworth, in one of his minor poems, on leaving Italy:
"My thoughts become bright like yon edging of pines
On the steep's lofty verge--how it blackened the air!
But, touched from behind by the sun, it now shines
With threads that seem part of his own silver hair."
[72] Some valuable remarks on this subject will be found in a notice
of the "Seven Lamps" in the British Quarterly for August, 1849. I
think, however, the writer attaches too great importance to one out
of many ornamental necessities.
CHAPTER XXII.
THE ANGLE.
Public-domain text, read in full here on John Shaqi.
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