§ II. In speaking of the arch-line and arch masonry, we considered the
arch to be cut straight through the wall; so that, if half built, it
would have the appearance at _a_, Fig. LXIX. But in the chapter on Form
of Apertures, we found that the side of the arch, or jamb of the
aperture, might often require to be bevelled, so as to give the section
_b_, Fig. LXIX. It is easily conceivable that when two ranges of
voussoirs were used, one over another, it would be easier to leave
those beneath, of a smaller diameter, than to bevel them to accurate
junction with those outside. Whether influenced by this facility, or by
decorative instinct, the early northern builders often substitute for
the bevel the third condition, _c_, of Fig. LXIX.; so that, of the three
forms in that figure, _a_ belongs principally to the south, _c_ to the
north, and _b_ indifferently to both.
[Illustration: Fig. LXIX.]
§ III. If the arch in the northern building be very deep, its depth will
probably be attained by a succession of steps, like that in _c_; and the
richest results of northern archivolt decoration are entirely based on
the aggregation of the ornament of these several steps; while those of
the south are only the complete finish and perfection of the ornament of
one. In this ornament of the single arch, the points for general note
are very few.
§ IV. It was, in the first instance, derived from the classical
architrave,[91] and the early Romanesque arches are nothing but such an
architrave, bent round. The horizontal lines of the latter become
semicircular, but their importance and value remain exactly the same;
their continuity is preserved across all the voussoirs, and the joints
and functions of the latter are studiously concealed. As the builders
get accustomed to the arch, and love it better, they cease to be ashamed
of its structure: the voussoirs begin to show themselves confidently,
and fight for precedence with the architrave lines; and there is an
entanglement of the two structures, in consequence, like the circular
and radiating lines of a cobweb, until at last the architrave lines get
worsted, and driven away outside of the voussoirs; being permitted to
stay at all only on condition of their dressing themselves in mediæval
costume, as in the plate opposite.
Public-domain text, read in full here on John Shaqi.
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