discordance, and danger, and all the work of the dragon and his angels;
this he sees with too deep feeling ever to forget. And though when he
returns to his idle work,--it may be to gild the letters upon the page,
or to carve the timbers of the chamber, or the stones of the
pinnacle,--he cannot give his strength of thought any more to the woe or
to the danger, there is a shadow of them still present with him: and as
the bright colors mingle beneath his touch, and the fair leaves and
flowers grow at his bidding, strange horrors and phantasms rise by their
side; grisly beasts and venomous serpents, and spectral fiends and
nameless inconsistencies of ghastly life, rising out of things most
beautiful, and fading back into them again, as the harm and the horror
of life do out of its happiness. He has seen these things; he wars with
them daily; he cannot but give them their part in his work, though in a
state of comparative apathy to them at the time. He is but carving and
gilding, and must not turn aside to weep; but he knows that hell is
burning on, for all that, and the smoke of it withers his oak-leaves.
§ XLVII. Now, the feelings which give rise to the false or ignoble
grotesque, are exactly the reverse of these. In the true grotesque, a
man of naturally strong feeling is accidentally or resolutely apathetic;
in the false grotesque, a man naturally apathetic is forcing himself
into temporary excitement. The horror which is expressed by the one,
comes upon him whether he will or not; that which is expressed by the
other, is sought out by him, and elaborated by his art. And therefore,
also, because the fear of the one is true, and of true things, however
fantastic its expression may be, there will be reality in it, and force.
It is not a manufactured terribleness, whose author, when he had
finished it, knew not if it would terrify any one else or not: but it is
a terribleness taken from the life; a spectre which the workman indeed
saw, and which, as it appalled him, will appal us also. But the other
workman never felt any Divine fear; he never shuddered when he heard the
cry from the burning towers of the earth,
"Venga Medusa; sì lo farem di smalto."
He is stone already, and needs no gentle hand laid upon his eyes to save
him.
Public-domain text, read in full here on John Shaqi.
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