§ LXV. It is not, however, in every symbolical subject that the fearful grotesque becomes embodied to the full. The element of distortion which affects the intellect when dealing with subjects above its proper capacity, is as nothing compared with that which it sustains from the direct impressions of terror. It is the trembling of the human soul in the presence of death which most of all disturbs the images on the intellectual mirror, and invests them with the fitfulness and ghastliness of dreams. And from the contemplation of death, and of the pangs which follow his footsteps, arise in men's hearts the troop of strange and irresistible superstitions which, more or less melancholy or majestic according to the dignity of the mind they impress, are yet never without a certain grotesqueness, following on the paralysis of the reason and over-excitement of the fancy. I do not mean to deny the actual existence of spiritual manifestations; I have never weighed the evidence upon the subject; but with these, if such exist, we are not here concerned. The grotesque which we are examining arises out of that condition of mind which appears to follow naturally upon the contemplation of death, and in which the fancy is brought into morbid action by terror, accompanied by the belief in spiritual presence, and in the possibility of spiritual apparition. Hence are developed its most sublime, because its least voluntary, creations, aided by the fearfulness of the phenomena of nature which are in any wise the ministers of death, and primarily directed by the peculiar ghastliness of expression in the skeleton, itself a species of terrible grotesque in its relation to the perfect human frame.