1. Transitional to the second order. 2. Common second order. 3. Brick, at Corte del Forno, Round arch. 4. Door at San Giovanni Grisostomo. 5. Door at Sotto Portico della Stua. 6. Door in Campo St. Luca, of rich brickwork. 7. Round door at Fondamenta Venier. 8. Pointed door. Fig. 6_c_, Plate XIV. Vol. II. 9. Great pointed arch, Salizzada San Lio. 10. Round door near Fondaco de' Turchi. 11. Door with Lion, at Ponte della Corona. 12. San Gregorio, Façade. 13. St. John and Paul, Nave. 14. Rare early fourth order, at San Cassan. 15. General early Gothic archivolt. 16. Same, from door in Rio San G. Grisostomo. 17. Casa Vittura. 18. Casa Sagredo, Unique thirds. Vol. II. 19. Murano Palace, Unique fourths.[67] PLATE IX. 20. Pointed door of Four-Evangelist House.[68] Vol. III. 21. Keystone door in Campo St. M. Formosa. 22. Rare fourths, at St. Pantaleon. 23. Rare fourths, Casa Papadopoli. 24. Rare fourths, Chess house.[69] 25. Thirds of Frari Cloister. 26. Great pointed arch of Frari Cloister. 27. Unique thirds, Ducal Palace. 28. Inner Cortile, pointed arches, Ducal Palace. 29. Common fourth and fifth order Archivolt. 30. Unique thirds, Ducal Palace. 31. Ducal Palace, lower arcade. 32. Casa Priuli, arches in the inner court. 33. Circle above the central window, Ducal Palace. 34. Murano apse. 35. Acute-pointed arch, Frari. 36. Door of Accademia delle belle Arti. 37. Door in Calle Tiossi, near Four-Evangelist House. 38. Door in Campo San Polo. 39. Door of palace at Ponte Marcello. 40. Door of a palace close to the Church of the Miracoli. _V. Cornices._ Plate X. represents, in one view, the cornices or string-courses of Venice, and the abaci of its capitals, early and late; these two features being inseparably connected, as explained in Vol. I. The evidence given by these mouldings is exceedingly clear. The two upper lines in the Plate, 1-11, 12-24, are all plinths from Byzantine buildings. The reader will at once observe their unmistakable resemblances. The row 41 to 50 are contemporary abaci of capitals; 52, 53, 54, 56, are examples of late Gothic abaci; and observe, especially, these are all rounded at the _top_ of the cavetto, but the Byzantine abaci are rounded, if at all, at the _bottom_ of the cavetto (see 7, 8, 9, 10, 20, 28, 46). Consider what a valuable test of date this is, in any disputable building. Again, compare 28, 29, one from St. Mark's, the other from the Ducal Palace, and observe the close resemblance, giving farther evidence of early date in the palace.