The Stones of Venice, Volume 3 (of 3)

Name: The Stones of Venice, Volume 3 (of 3)
Author: Ruskin, John

Ruskin, John

Architecture -- Italy -- Venice

Y

  York, Minster of, i. 205, 313.




III.

TOPICAL INDEX.


    A

  Abacus, defined, i. 107; law of its proportion, i. 111-115; its
    connection with cornices, i. 116; its various profiles, i. 319-323;
    iii. 243-248.
  Acanthus, leaf of, its use in architecture, i. 233; how treated at
    Torcello, ii. 15.
  Alabaster, use of, in incrustation, ii. 86.
  Anachronism, necessity of, in the best art, ii. 198.
  Anatomy, a disadvantageous study for artists, iii. 47.
  Angels, use of their images in Venetian heraldry, ii. 278; statues
    of, on the Ducal Palace, ii. 311.
  Anger, how symbolically represented, ii. 344.
  Angles, decoration of, i. 260; ii. 305; of Gothic Palaces, ii. 238;
    of Ducal Palace, ii. 307.
  Animal character in northern and southern climates, ii. 156; in
    grotesque art, iii. 149.
  Apertures, analysis of their structure, i. 50; general forms of, i.
    174.
  Apse, forms of, in southern and northern churches compared, i. 170.
  Arabesques of Raffaelle, their baseness, iii. 136.
  Arabian architecture, i. 18, 234, 235, 429; ii. 135.
  Arches, general structure of, i. 122; moral characters of, i. 126;
    lancet, round, and depressed, i. 129; four-centred, i. 130; ogee, i.
    131; non-concentric, i. 133, 341; masonry of, i. 133, ii. 218; load
    of, i. 144; are not derived from vegetation, ii. 201.
  Architects, modern, their unfortunate position, i. 404, 407.
  Architecture, general view of its divisions, i. 47-51; how to judge
    of it, ii. 173; adaptation of, to requirements of human mind, iii.
    192; richness of early domestic, ii. 100, iii. 2; manner of its
    debasement in general, iii. 3.
  Archivolts, decoration of, i. 334; general families of, i. 335; of
    Murano, ii. 49; of St. Mark's, ii. 95; in London, ii. 97; Byzantine,
    ii. 138; profiles of, iii. 244.
  Arts, relative dignity of, i. 395; how represented in Venetian
    sculpture, ii. 355; what relation exists between them and their
    materials, ii. 394; art divided into the art of facts, of design, and
    of both, ii. 183; into purist, naturalist, and sensualist, ii. 187;
    art opposed to inspiration, iii. 151; defined, iii. 170;
    distinguished from science, iii. 35; how to enjoy that of the
    ancients, iii. 188.
  Aspiration, not the primal motive of Gothic work, i. 151.
  Astrology, judicial, representation of its doctrines in Venetian
    sculpture, ii. 352.
  Austrian government in Italy, iii. 209.
  Avarice, how represented figuratively, ii. 344.


    B

Public-domain text, read in full here on John Shaqi.

Opening the text

The Stones of Venice, Volume 3 (of 3)Ruskin, John

Philosophy

The Stones of Venice, Volume 3 (of 3)

Ruskin, John

Architecture -- Italy -- Venice

Y

  York, Minster of, i. 205, 313.




III.

TOPICAL INDEX.


    A

  Abacus, defined, i. 107; law of its proportion, i. 111-115; its
    connection with cornices, i. 116; its various profiles, i. 319-323;
    iii. 243-248.
  Acanthus, leaf of, its use in architecture, i. 233; how treated at
    Torcello, ii. 15.
  Alabaster, use of, in incrustation, ii. 86.
  Anachronism, necessity of, in the best art, ii. 198.
  Anatomy, a disadvantageous study for artists, iii. 47.
  Angels, use of their images in Venetian heraldry, ii. 278; statues
    of, on the Ducal Palace, ii. 311.
  Anger, how symbolically represented, ii. 344.
  Angles, decoration of, i. 260; ii. 305; of Gothic Palaces, ii. 238;
    of Ducal Palace, ii. 307.
  Animal character in northern and southern climates, ii. 156; in
    grotesque art, iii. 149.
  Apertures, analysis of their structure, i. 50; general forms of, i.
    174.
  Apse, forms of, in southern and northern churches compared, i. 170.
  Arabesques of Raffaelle, their baseness, iii. 136.
  Arabian architecture, i. 18, 234, 235, 429; ii. 135.
  Arches, general structure of, i. 122; moral characters of, i. 126;
    lancet, round, and depressed, i. 129; four-centred, i. 130; ogee, i.
    131; non-concentric, i. 133, 341; masonry of, i. 133, ii. 218; load
    of, i. 144; are not derived from vegetation, ii. 201.
  Architects, modern, their unfortunate position, i. 404, 407.
  Architecture, general view of its divisions, i. 47-51; how to judge
    of it, ii. 173; adaptation of, to requirements of human mind, iii.
    192; richness of early domestic, ii. 100, iii. 2; manner of its
    debasement in general, iii. 3.
  Archivolts, decoration of, i. 334; general families of, i. 335; of
    Murano, ii. 49; of St. Mark's, ii. 95; in London, ii. 97; Byzantine,
    ii. 138; profiles of, iii. 244.
  Arts, relative dignity of, i. 395; how represented in Venetian
    sculpture, ii. 355; what relation exists between them and their
    materials, ii. 394; art divided into the art of facts, of design, and
    of both, ii. 183; into purist, naturalist, and sensualist, ii. 187;
    art opposed to inspiration, iii. 151; defined, iii. 170;
    distinguished from science, iii. 35; how to enjoy that of the
    ancients, iii. 188.
  Aspiration, not the primal motive of Gothic work, i. 151.
  Astrology, judicial, representation of its doctrines in Venetian
    sculpture, ii. 352.
  Austrian government in Italy, iii. 209.
  Avarice, how represented figuratively, ii. 344.


    B

Public-domain text, read in full here on John Shaqi.

The Stones of Venice, Volume 3 (of 3)

The Stones of Venice, Volume 3 (of 3)

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