BADOER, PALAZZO, in the Campo San Giovanni in Bragola. A magnificent
example of the fourteenth century Gothic, circa 1310-1320, anterior to
the Ducal Palace, and showing beautiful ranges of the fifth order
window, with fragments of the original balconies, and the usual
lateral window larger than any of the rest. In the centre of its
arcade on the first floor is the inlaid ornament drawn in Plate VIII.
Vol. I. The fresco painting on the walls is of later date; and I
believe the heads which form the finials have been inserted afterwards
also, the original windows having been pure fifth order.
The building is now a ruin, inhabited by the lowest orders; the first
floor, when I was last in Venice, by a laundress.
BAFFO, PALAZZO, in the Campo St. Maurizio. The commonest late
Renaissance. A few olive leaves and vestiges of two figures still
remain upon it, of the frescoes by Paul Veronese, with which it was
once adorned.
BALBI, PALAZZO, in Volta di Canal. Of no importance.
BARBARIGO, PALAZZO, on the Grand Canal, next the Casa Pisani. Late
Renaissance; noticeable only as a house in which some of the best
pictures of Titian were allowed to be ruined by damp, and out of which
they were then sold to the Emperor of Russia.
BARBARO, PALAZZO, on the Grand Canal, next the Palazzo Cavalli. These
two buildings form the principal objects in the foreground of the view
which almost every artist seizes on his first traverse of the Grand
Canal, the Church of the Salute forming a most graceful distance.
Neither is, however, of much value, except in general effect; but the
Barbaro is the best, and the pointed arcade in its side wall, seen
from the narrow canal between it and the Cavalli, is good Gothic, of
the earliest fourteenth century type.
BARNABA, CHURCH OF ST. Of no importance.
BARTOLOMEO, CHURCH OF ST. I did not go to look at the works of
Sebastian del Piombo which it contains, fully crediting M. Lazari's
statement, that they have been "Barbaramente sfigurati da mani
imperite, che pretendevano ristaurarli." Otherwise the church is of no
importance.
BASSO, CHURCH OF ST. Of no importance.
BATTAGIA, PALAZZO, on the Grand Canal. Of no importance.
BECCHERIE. See QUERINI.
Public-domain text, read in full here on John Shaqi.
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