interest of the scene, and yet marked the dignity to which he was afterward to be raised, by investing him with the colors which occurred nowhere else in the picture except in the dress which veils the form of the Godhead. It is also to be noted as an interesting example of the value which the painter put upon color only; another composer would have thought it necessary to exalt the future apostle by some peculiar dignity of action or expression. The posture of the figure is indeed grand, but inconspicuous; Tintoret does not depend upon it, and thinks that the figure is quite ennobled enough by being made a key-note of color. It is also worth observing how boldly imaginative is the treatment which covers the ground with piles of stones, and yet leaves the martyr apparently unwounded. Another painter would have covered him with blood, and elaborated the expression of pain upon his countenance. Tintoret leaves us under no doubt as to what manner of death he is dying; he makes the air hurtle with the stones, but he does not choose to make his picture disgusting, or even painful. The face of the martyr is serene, and exulting; and we leave the picture, remembering only how "he fell asleep." GIOVANELLI, PALAZZO, at the Ponte di Noale. A fine example of fifteenth century Gothic, founded on the Ducal Palace. GIOVANNI E PAOLO, CHURCH OF ST.[72] Foundation of, III. 69. An impressive church, though none of its Gothic is comparable with that of the North, or with that of Verona. The Western door is interesting as one of the last conditions of Gothic design passing into Renaissance, very rich and beautiful of its kind, especially the wreath of fruit and flowers which forms its principal molding. The statue of Bartolomeo Colleone, in the little square beside the church, is certainly one of the noblest works in Italy. I have never seen anything approaching it in animation, in vigor of portraiture, or nobleness of line. The reader will need Lazari's Guide in making the circuit of the church, which is full of interesting monuments: but I wish especially to direct his attention to two pictures, besides the celebrated Peter Martyr: namely,