GIUDECCA. The crescent-shaped island (or series of islands), which forms the most northern extremity of the city of Venice, though separated by a broad channel from the main city. Commonly said to derive its name from the number of Jews who lived upon it; but Lazari derives it from the word "Judicato," in Venetian dialect "Zudegà," it having been in old time "adjudged" as a kind of prison territory to the more dangerous and turbulent citizens. It is now inhabited only by the poor, and covered by desolate groups of miserable dwellings, divided by stagnant canals. Its two principal churches, the Redentore and St. Eufemia, are named in their alphabetical order. GIULIANO, CHURCH OF ST. Of no importance. GIUSEPPE DI CASTELLO, CHURCH OF ST. Said to contain a Paul Veronese: otherwise of no importance. GIUSTINA, CHURCH OF ST. Of no importance. GIUSTINIANI PALAZZO, on the Grand Canal, now Albergo all' Europa. Good late fourteenth century Gothic, but much altered. GIUSTINIANI, PALAZZO, next the Casa Foscari, on the Grand Canal. Lazari, I know not on what authority, says that this palace was built by the Giustiniani family before 1428. It is one of those founded directly on the Ducal Palace, together with the Casa Foscari at its side: and there could have been no doubt of their date on this ground; but it would be interesting, after what we have seen of the progress of the Ducal Palace, to ascertain the exact year of the erection of any of these imitations. This palace contains some unusually rich detached windows, full of tracery, of which the profiles are given in the Appendix, under the title of the Palace of the Younger Foscari, it being popularly reported to have belonged to the son of the Doge. GIUSTINIAN LOLIN, PALAZZO, on the Grand Canal. Of no importance. GRASSI PALAZZO, on the Grand Canal, now Albergo all' Imperator d' Austria. Of no importance. GREGORIO, CHURCH OF ST., on the Grand Canal. An important church of the fourteenth century, now desecrated, but still interesting. Its apse is on the little canal crossing from the Grand Canal to the Giudecca, beside the Church of the Salute, and is very characteristic of the rude ecclesiastical Gothic contemporary with the Ducal Palace. The entrance to its cloisters, from the Grand Canal, is somewhat later; a noble square door, with two windows on each side of it, the grandest examples in Venice of the late window of the fourth order. The cloister, to which this door gives entrance, is exactly contemporary with the finest work of the Ducal Palace, circa 1350. It is the loveliest cortile I know in Venice; its capitals consummate in design and execution; and the low wall on which they stand showing remnants of sculpture unique, as far as I know, in such application. GRIMANI, PALAZZO, on the Grand Canal, III. 32.