The Storehouses of the King; Or, the Pyramids of Egypt: What They Are and Who Built ThemGelder, Jane (Trill) van
History
The Storehouses of the King; Or, the Pyramids of Egypt: What They Are and Who Built Them
Gelder, Jane (Trill) van
Pyramids
“The style of painting in the former is considerably more perfect than
any other specimen of Mexican design; but as the original is said to
have been much defaced by time, I suspect that it has been improved by
some touches from the hand of an European artist. The chronological
wheel is a just delineation of the Mexican mode of computing time, as
described by Acosta. It seems to resemble one which that learned Jesuit
had seen; and if it be admitted as a genuine monument, it proves that
the Mexicans had artificial or arbitrary characters, which represented
several things besides numbers. Each month is there represented by a
symbol expressive of some work or rite peculiar to it.
“The third specimen of Mexican painting was discovered by another
Italian. In 1736, Lorenzo Boturini Benaduci set out for New Spain, and
was led by several incidents to study the language of the Mexicans, and
to collect the remains of their historical monuments. He persisted nine
years in his researches, with the enthusiasm of a projector and the
patience of an antiquary.
“In 1746 he published, at Madrid, _Idea de una Nueva Historia General
de la America Septentrional_, containing an account of the result of
his inquiries; and he added to it a catalogue of his American
historical Museum, arranged under thirty-six different heads. His idea
of a New History appears to me the work of a whimsical, credulous man.
But his catalogue of Mexican maps, paintings, tribute-rolls, calendars,
&c., is much larger than one could have expected. Unfortunately a ship,
in which he had sent a considerable part of them to Europe, was taken
by an English privateer during the war between Great Britain and Spain,
which commenced in the year 1739; and it is probable that they perished
by falling into the hands of ignorant captors.
“Boturini himself incurred the displeasure of the Spanish court, and
died in an hospital in Madrid. The history, of which the _Idea, &c._,
was only a prospectus, was never published. The remainder of his Museum
seems to have been dispersed. Some part of it came into the possession
of the present Archbishop of Toledo, when he was primate of New Spain;
and he published from it that curious tribute-roll which I have
mentioned.
Public-domain text, read in full here on John Shaqi.
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