And then he attacked her poor head with ferocious familiarity. If Poppa
had ever caught him, and her, he’d certainly have shot them both.
Momma was in for it, however, and she actually permitted this strange
man, this appalling foreigner, to take down her hair, drench it, soap
it, souse her head in water, pour curious smelly things over her scalp,
and rinse them out, massage her occiput, comb and pull and torture
and iron her hair and dress it on top of her astounded skull in what
he called a “French twist.” She spent a whole hour of “feeling like
a shirt in a steam laundry,” as she afterward expressed it. Then
he brandished before her a mirror and uttered a triumphant cry of
something that sounded like:
“Ah, my damn, walla, walla!”
Momma blushed vermilion and felt as immoral as she looked. Yet not at
all remorseful, somehow. Fortunately Franswa dashed out to prepare the
hair of Ella, leaving Momma to ponder her new face and her new hair
with a new soul.
She felt that, in Hattie’s formula, she ought to be ashamed of herself,
but, to save her immortal being, she could not.
Only one thing she was sure of, and that was that that head and that
hair did not belong on top of that old dress of hers. Her one “best
dress” was the one worst dress she had ever seen.
When at length she saw Ella, Ella screamed with delight at the
transformation and said something that rimed:
_Grow old along with me,
The best is yet to be._
The afternoon was spent in shopping for what Ella called “landjerree.”
Until she had the proper underpinnings, Ella simply refused to buy
Mattie the new dress and hat she was already clamoring for.
The amount of Poppa’s money that Ella spent on silken shamelessness
dazed Momma, but Ella would not be checked, and Momma was too
childishly interested in the new doll rags to make more than a show of
resistance.
Ella said: “If your husband has money enough to waste ten thousand
dollars on my husband’s foolish investments, he has money enough to buy
you some decent underclothes.”
“Did you say ‘decent’?” was Momma’s feeble disclaimer, but she barely
muttered it.
That night, on a plea of going to bed early, Momma locked herself in
her room and tried on the new things. She nearly died of palpitation of
the heart when she stood up in silk stockings, satin mules, and in a
new streamline corset that gave her a figure! A heroic figure indeed,
but a shape, a contour, that was not altogether an insult to the
Creator who fashioned it. Momma had to give it a religious significance
to live through it.
* * * * *
Public-domain text, read in full here on John Shaqi.
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