United States -- History -- Civil War, 1861-1865 -- Fiction
Albeit the discharge of the freight would not take place till morning,
the scene was one of great confusion. In accordance with the regulation
which the military occupation of the country required, the passengers
rendered up their passes on deck to the officer who had boarded the
vessel for the purpose of receiving them, permitting the travellers to
depart one by one through a guarded gate, but it was impossible to
identify them after they were once on the wharf. Hence there was naught
to distinguish from the other passengers a gentleman carrying a
portmanteau, who entered an omnibus, save that the wharf lamps might
have shown that he was handsome, taller than common, with a fine
presence and gait, and clad in garments of unmistakably English cut and
make. The night clerk of the hotel evidently saw nothing else unusual in
the stranger as he stood under the gas-jet to register at the desk in
the office, almost deserted at this hour--not even in the momentary
hesitation when he had the pen in hand. He wrote "John Wray, Junior,
Manchester, England," had a room assigned to him, and passed on to the
late supper, for which Uncle Ephraim's negligence had prepared him to do
ample justice.
Julius did not appear next morning at the usual breakfast hour. The
terrors of the Chinese gong, that was wont to rouse the laggards as it
howled about the hotel under the belaborings of a stalwart waiter,
failed to stimulate his activity or break his slumber. The fatigues and
dangers Julius had encountered had prostrated him. He was unconsciously
recuperating, gathering strength for the rebound. He did not wake,
indeed, till near noon. He turned once or twice luxuriously in the
comfortably sheeted bed--at his home they had not dared to purloin linen
from the household store to furnish his couch in the attic--and then,
with his hands clasped under his head, he lay with a mind almost vacant
of any conscious process, mechanically, quietly, taking in the details
of the place. The sun sifted in at a crevice of the green shutters of
the window that opened to the floor and gave upon a wide gallery
without--now and again he heard at considerable intervals the passing of
a footstep on this gallery. He noticed the wind stir and the flicker of
the shadow of foliage on the blinds. The room was in the second story,
and he knew that there were trees in a space at the rear of the
old-fashioned little hotel. The furniture was of a highly varnished,
cleanly, straw-colored aspect, of some cheap wood that refreshingly made
no pretentions to be aught but what it was, for on the bureau drawers,
the head and foot-boards of the bed, and on the rocking-chair was
painted a gay little bouquet of flowers in natural but intense tints. A
fresh Chinese matting was on the floor, and muslin curtains hung from
poles supported on pins that had a great brass rosette or boss at the
extremity. The building enclosed a quadrangle, bounded by the river at
the lower end.
Public-domain text, read in full here on John Shaqi.
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