United States -- History -- Civil War, 1861-1865 -- Fiction
"Why,--of course this is just my own view,--formed on what I hear from
outsiders,--and I think it is the general view. Baynell knew the young
man was hidden in the house, on a stolen visit to his father, thinking
he had no ultimate intentions but to escape at a convenient opportunity.
These separations must be very cruel indeed, with no means of
communication. Baynell, though very wrongfully, _might_ have indulged
this concealment from motives of--ah--er--friendship to the family, for
young Roscoe would undoubtedly have been dealt with as a spy, had he
been captured in lurking here. The two _may_ have been more or less
associated,--certainly they came together in an altercation that
resulted in blows. _I_ think Baynell possibly discovered Roscoe's
scheme, and threatened him with arrest. Roscoe knocked him down the
stairs and fled from the house to the grotto, considering this safe, for
he might have crossed from the balcony to the firs without observation
if he had been lucky, as at that time none of us knew that the grotto
existed. Now these are _my_ conclusions--but for the integrity of the
service Baynell's acts and his motives must be sifted. They may not bear
to an impartial mind even so liberal a construction as this. It is a
threatening situation, and I am apprehensive--I am very apprehensive."
Mrs. Gwynn's hand fell with a discordant crash on the keys of the piano.
"Why--why--what can they do to him?" she gasped.
Vertnor Ashley shied from the subject like a frightened horse.
"Ah--oh--ah--er--well," he said, "let us not think of that." He paused
abruptly. Then, "To forecast the immediate future is enough of disaster.
There is already said to be an official investigation on the cards. No
doubt charges will be preferred, and he will be brought to a
court-martial."
He sighed again, and looked about futilely, as if for suggestion. He
rose at length, and with his pleasant, cordial manner and a smile of
deprecating apology, he said, "I am afraid my grim subjects do not
commend me for a lady's parlor." Then with a light change of tone, "So
much obliged for that lovely little French song--what is it--_Quel est
cet attrait qui m'attire_? I want to be able to distinguish it, for may
I not ask for it again some time?" And bowing, and smiling, and
prosperous, he took his graceful departure.
Public-domain text, read in full here on John Shaqi.
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