United States -- History -- Civil War, 1861-1865 -- Fiction
The war, however, was seldom so seriously regarded at the Fisher
mansion, one of the fine modern houses of the town,--brick with heavy
limestone facings and much iron grille work, perched up on a double
terrace, from which two flights of stone steps descended to the
pavement. The more youthful officers contrived to import fruits and
hothouse flowers, the fresh books and sheet music of the day, and they
stood by the piano and wagged their heads to the march in "Faust," which
was all the rage at that time, and sped around nimbly to the vibrations
of its waltz, that might have made a pair of spurs dance. She had a
very pretty wit of an exaggerated tenor, and it seemed to whet the
phrase of every one who was associated with "The Fair One with the
Equivocal Locks," as an imitator of her methods had dubbed her.
No order was so strictly enforced as to touch her mother's and her
aunt's household. Their poultry roosted in peace. Their firearms were
left by officers conducting searches through citizens' houses and
confiscating pistols, guns, and knives.
"_We_ are as capable of armed rebellion as ever," she would declare
joyously.
Miss Fisher's favorite horse bore her airy weight as jauntily down the
street as if no impress had desolated equestrian society. On these
occasions she was always accompanied by two or three officers, sometimes
more, and there was a fable in circulation that once the cavalcade was
so numerous that the guard was turned out at the fort, the sentries
mistaking the gayly caparisoned approach for the major general
commanding the division and his mounted escort.
She sang in a very high soprano voice and with a considerable degree of
culture, but one may be free to say that her rendering of "Il Bacio" and
"La Farfalletta" was by no means the triumph of art that it seemed to
Seymour, and it was suggested to the mind of several of the elder
officers that there ought to be something more arduous for him to do
than to languish over the piano in a sentimental daze, fairly
hypnotized by the simpler melodies--"Her bright smile haunts me still"
and "Sweet Evangeline."
Serious thoughts were sometimes his portion, and Vertnor Ashley now and
again received the benefit of them.
"I heard some news when I was in town to-day--and I don't believe it,"
Seymour said as he sat on a camp-stool on the grass in front of the
colonel's tent.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account