United States -- History -- Civil War, 1861-1865 -- Fiction
Upstairs in the quiet old attic these evidences of hilarity rose with an
intimation of poignant contrast. The dreary entourage of broken
furniture and dusty trunks and chests, the silence and loneliness,--no
motion but the vague shifting of the motes in the slant of the sun, no
sound but the unshared mirth below, in his own home,--this seemed a more
remote exile. Julius felt actually further from the ancestral roof than
when he lay many miles away in the trenches in the cold spring rains,
with never a canopy but the storm, nor a candle but the flash of the
lightning. He sat quite still in the great arm-chair that his weight
deftly balanced on its three legs, his head bent to a pose of attention,
his cap slightly on one side of his long auburn locks, his eyes full of
a sort of listening interest, divining even more than he heard. He was
young enough, mercurial enough, to yearn wistfully after the fun,--the
refined "home-folks fun" of the domestic circle, the family and their
friends,--to which he had been so long a stranger; not the riotous
dissipation of the wilder phases of army life nor the animal spirits,
the "horse-play," of camp comrades. Sometimes at a sudden outburst of
laughter, dominated by Millie Fisher's silvery trills of mirth, his own
lips would curve in sympathy, albeit this was but the shell of the
joke, its zest unimagined, and light would spring into his clear dark
eyes responsive to the sound. Now and again he frowned as he noted men's
voices, not his father's nor well-remembered tones of old friends. They
had been less frequent than the women's voices, but now they came at
closer intervals, with an unfamiliar accent, with a different pitch, and
he began to realize that here were the Yankee officers.
"Upon my word, they seem to be having a fine time," he said
sarcastically.
In the next acclaim he could distinguish, besides the tones of the
invaders and the ringing vibration from Millie Fisher that led every
laugh, Leonora's drawling contralto accents, now and again punctuated
with a suggestion of mirth, and high above all the callow chirp of the
twin "ladies." He lifted his head and looked at the wasps, building
their cells on the window lintel, the broad, dreary spaces of the attic;
and he beheld, as it were, in contrast, his own expectation, the
welcome, the cherished guest, the guarded secret, the open-hearted talks
with his father, with the "ladies," with her whom, since widowed, he
might call to himself, without derogation to his affection or disrespect
to her, his "best beloved." The hardship it was that for the bleak
actuality he should have risked his capture, his life,--yes, even his
neck! His hand trembled upon the map, wrought out to every detail of
his discoveries, that he kept now in his breast, and now shifted to the
sole of his boot, and now slid in the lining of his coat-pocket, always
seeking the safest hiding-place,--forever seeking, forever doubting the
wisdom of his selection.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account