The storm of London: a social rhapsodyBlaze de Bury, Fernande
Science
The storm of London: a social rhapsody
Blaze de Bury, Fernande
London (England) -- Fiction; Science fiction
Lionel frequently came to surprise Gwendolen in Kensington Gardens,
where she rehearsed with the girls. He came in through the gates facing
the Memorial Monument. By the way, the statue had been, with due
respect, removed to a private niche in the In Memoriam Museum of
discarded monuments, where only members of the Royal Family were
admitted to see it, on applying first to the Lord Chamberlain. Already
the younger members of the family showed a distinct repulsion to seeing
their ancestor robed in such abnormal garments, and one of the royal
infants had been seized with a fit in the arms of his nurse at the sight
of it.
Lionel, one lovely day in June, walked down the Long Avenue of
Kensington Palace Gardens; at a distance he could perceive the groups of
lissome nymphs surrounding Gwen, some scattered under the trees, others
lying on the grass; and his Greek appreciation of art made him hail this
pastoral scene as a great success. Those who had visited the Wallace
Collection would no doubt compare the picture to a Boucher; but Lionel,
who had more discrimination, thought it put him in mind of a Corot.
Perhaps he was right.
“Here you are, Lionel,” and Gwen walked up to him as he came near. “We
are having a final rehearsal of our passion tournament. I have already
told you of it. Bella will represent Love; Violet has chosen Anger;
Flora begs to be Dignity, and so on. They are quite excited about it,
the more so as no reading up can help them in this; they will have to
work out their own ideas about the passions they wish to personify. You
see, Lionel, we have had enough of external excitement, we must now look
inwardly for all our pleasures. It is a step higher than historical
impersonation, though we intend to make the two studies work
together.—Nettie, I shall leave you in charge of them, for you are sure
to give them useful hints about their parts and to develop a little more
subtlety into their monodrama.—Come, Lion, my Lion, let us stroll under
the trees; I have so much to say to you.” And she looked into his eyes,
and caressingly held his hand close to her cheek, as they walked away.
His heart was full, and he thought deeply and analysed minutely his
emotions, trying to define the newly-acquired standard of morals that
was slowly transforming their old rotten Society into a rational
sociality. One feature of the old world had certainly disappeared since
the storm—lascivious curiosity. How could morbid erotism find any place
in our reformed republic? Eve-like nakedness robbed a woman of all
impure suggestiveness. It was the half-clad, half-disrobed, that had
made man run amok in the race for brutal enjoyment; for the goods laid
out in the shop windows are not by far so alluring as what peeps behind
the counter.
“Gwen, how lovely you are! Your face is a crystal reflecting every
beautiful emotion in your heart. Even Raphael would have despaired of
fixing your expression.”
Public-domain text, read in full here on John Shaqi.
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