When we returned I went to the wooden box to inspect our afternoon's
work, and as I did so I inhaled the balsamic odor that had impregnated
everything belonging to our theatre. For a long time after that, for
a year or two, perhaps longer, the odor of the pine box containing the
properties of the “Donkey's Skin” recalled vividly that May evening so
filled with poignant sorrow, which was one of the most singular feelings
of my childhood. Since I have come to man's estate I no longer suffer
from anguish that has no known cause, doubly hard to endure because
mysterious, I no longer feel as if my feet are treading unfathomable
depths in search of a firm bottom. I no longer suffer without knowing
why. No, such emotions belonged peculiarly to my childhood, and this
book could properly bear the title (a dangerous one I well know): “A
Journal of my extreme and inexplicable sorrows, and some of the boyish
pranks by which I diverted my mind from them.”
CHAPTER XXXVIII.
It was about this time that I installed myself in my aunt Claire's room
for the purpose of study, and there too I busied myself manufacturing
wonders for the “Donkey's Skin.” I took possession of the place as
entirely as an army occupies a conquered country--I would not admit the
possibility of being in the way.
My aunt Claire was the person who petted me most. And it was she who was
always so careful of my little things. She always looked after my finery
or anything uncommonly fragile, things that the least breath of air
would have blown away--such exquisitely delicate trifles, for example,
as the wings of a butterfly, or the bright scale of a beetle, intended
for the costumes of our nymphs and fairies--when I said to her: “Will
you please take care of this, dear auntie?” I felt that I could be easy
about it, for I knew that no one would be allowed to touch it.
One of the great attractions in her room was a bear that was used
for holding burnt-almonds; and I often visited the place for the sole
purpose of paying my respects to this animal. He was made of china and
he sat upon his hind legs in the corner of the mantelpiece. According to
a compact that I had with my aunt, every time that his head was turned
to the side (and I found it so several times during a day) it meant that
there was an almond or some other kind of candy for me. When I had eaten
this I straightened his head to indicate that I had been there, and then
I departed.
Aunt Claire enjoyed helping us with the “Donkey's Skin”; she worked
enthusiastically over the costumes and each day I gave her some task.
She was especially skilful in devising hair for the fairies and nymphs;
she managed to fix upon their tiny heads, about as big as the end of
a little finger, blond wigs made of light silk thread, this thread she
twined upon the finest wires and thus she was able to twist it into
beautiful ringlets.
Public-domain text, read in full here on John Shaqi.
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