“Miss Summerhayes!” cried Gussy again.
“My dear,” said Mrs. Harwood, “my daughter is calling you. I think you
did not hear.”
“Oh!” said Janet, and looked up as if she had heard for the first time;
indeed, the force of her indignation gave her something of the feeling
of one awakened from a dream.
“Will you come here, please?” said Miss Harwood.
Never before had there been between them the tone of command and
obedience. Janet reflected to herself bitterly that she was supposed to
know her place, and rose, but with a reluctance that anybody could see.
This reluctance softened Gussy. She thought the other girl felt all the
inappropriateness of being made the third between two----
“Please come and look at this accompaniment. I have never seen it
before, and it seems difficult. Will you try it for us? You said you
could play.”
“Yes, I can play.” Janet went slowly towards the piano. He might make
eyes as he chose, she would not see them. She looked at the music while
Gussy rose and left the place for her. Easy? why, it was child’s play!
“I will play it if you wish me to do so;” her fingers were crisp with
impatience to get at the keys.
“Oh, do, do, Miss Summerhayes! we are waiting for you. A new
accompaniment and a new song at once are too much for anyone. Is that
the proper height for you? is the light as you like it? Ah!” he said,
with a deep breath, “that is something like; now, Gussy!”
He took her hand to draw her to his side, and over Gussy’s colorless
face there sprang anew that light as if it came through rose-leaves,
through some ethereal medium, a light ineffable, which neither sunlight
nor lamplight ever gave.
Poor Gussy! this was the look which made her sister’s childish
countenance lower, which was “silly,” which moved Janet to mingled
ridicule, wrath, and shame. These young critics had no mercy. But as she
stood by her lover’s side and sang, all unkindly thoughts and every
little irritation went out of Gussy’s soul. She was the only one of them
whose mind was in true harmony with the music; the others were better
performers. She forgot that she had been displeased to have Janet called
in. She touched the girl’s shoulder tenderly, gratefully with her hand;
her heart went out in the song, though she was not so very certain about
the notes.
It was not at all with these beautiful emotions that Janet plunged into
the mazes of the notes. She played with rage, with fury, beating down
the man who had wounded her, helping out the tremulous soprano; and
Meredith, roused to the conflict, sang against her, till he, too,
excelled himself. It was like a musical duel, carried out to the last
note with an intention which the two chief performers only were aware
of; and Janet was ringing out the last symphony with her cheeks burning
and her heart beating, when suddenly she sprang up from the piano and
covered her face and her ears with her hands.
“Oh, there it is!” she cried, “there it is again!”
Public-domain text, read in full here on John Shaqi.
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