“You forget,” said Gussy, “we did not expect you to-night.”
“And you never have any music except when I am here! That is a pity,
though it’s a great compliment. May I light the candles? Now, come--it
is to be a lesson to-night. Miss Summerhayes will play, and I shall
coach, and correct, and do all sorts of dreadful things, as if I were
Cantalino. You shall have everything over again that Cantalino inflicts
upon me.”
In this way, with every kind of seduction, Gussy was got to the piano,
and received her lesson, which was half a gratification and half the
reverse, for Miss Harwood did not quite like to be put in the place of a
learner before Janet, while it made her happy to be “coached,” and
trained, and interrupted, praised, and encouraged by her lover. Was he
her lover? Janet seated with her back to them, with a new and difficult
accompaniment to occupy her fingers, could not resolve this question to
herself; sometimes men are not at all loyal and yet are in love. They
discuss their beloved one, or even their _fiancée_, with the first
comer. They ask other men’s opinion of her. They talk of their own
execution, when they are to be “turned off,” and similar vulgarities,
and yet are lovers in the curious contradiction of nature. Was this all?
Was his criticism of Gussy only his unmeaning banter? and his joke
played upon her to-night, did it mean nothing?
Janet sat at the piano, and thumped and pondered, with her cheeks
blazing crimson and her hands flying from one end of the instrument to
another. She was a very good accompanist. She might not, perhaps, have
any instinct of self-sacrifice in life, but she had learnt that it was
of the first importance in art. She played for the singer, not for
herself, supporting her in her weak notes, giving place to her strong
ones, making her own performance the background of the other. And, as
Janet felt much ashamed of herself and of the part which she had been
made to play in this night’s performance, she was more self-sacrificing,
more bent upon making herself secondary and the singer first than ever.
When the singing was over, even Mrs. Harwood applauded.
“You should always have Miss Summerhayes to play your accompaniments,
Gussy. She does it beautifully. She brings out your voice as I never
heard it before. I begin to think that no one can sing and play too. You
brought out her voice quite beautifully, Miss Summerhayes.”
“A word of applause for the coach, too,” said Meredith, with a laugh.
Public-domain text, read in full here on John Shaqi.
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