The Story of a Siberian Exile; Followed by a Narrative of Recent Events in PolandPiotrowski, Rufin
History
The Story of a Siberian Exile; Followed by a Narrative of Recent Events in Poland
Piotrowski, Rufin
Exiles -- Russia (Federation) -- Siberia; Polish question; Prisons -- Russia (Federation) -- Siberia
Here we see what is most truly characteristic in these Polish matters.
Here is no natural and peaceful developement of an order of things
half constituted by the ruling power of public right. It is a history
full of dramatic mysteries, of ardent protests, of which one-half
only is known to the world, the other half being lost in dungeons, in
subterranean vaults, in mines, in Siberia, in the Ourals. Above all,
since 1831, it is the history of a dark and ceaseless conflict between
a power which, in order to remain mistress, is obliged at every turn to
exceed its rights, and a people which struggles, conspires and rebels,
and to whom the permanent contact of a hard and foreign rule with a
suffering nationality is a continual punishment--a people which passes
its time in believing in hope even against hope, whom oppression raises
more than it tames, and which even when conquered has the ingenuity to
feed on its own sufferings, and to relish them with a dark and bitter
delight.
Let any man represent to himself what that country is like, where to
have read such and such a book by a Polish poet has sent thousands
of young people to Siberia--a country where in the universities and
schools the students, even the children, secretly practised beating
each other with rods, in order to accustom themselves to tortures, and
to be ready to bear every trial without flinching! This familiarity
with pain, this sort of defiance to a hidden warfare, is one of the
traits of the contemporary genius of Poland; and it is the theme of
a song commonly sung in Poland to a slow and plaintive melody; an
ironical and bloody lesson for the use of Polish mothers! ‘Our Saviour,
when still a child at Nazareth, played with the cross, the future
instrument of his death; and thou, alas! oh, Polish mother, oughtest
to amuse thy child with the instruments of his future play. Early,
then, tie his hands with chains, fasten them to the infamous tumbril,
that he may not grow pale at the executioner’s axe, that he may not
blush at the sight of the noose; for he will never go, as did the
knights of old, to plant the cross triumphant at Jerusalem; nor yet,
like the soldiers of later times, to till the fields of liberty, and
to water them with his blood. He who will provoke your child will be a
secret spy; he who will contend with him will be a perjured judge. His
field of battle will be a dungeon underground; his sentence will be
pronounced in some implacable cave. When conquered, no monument awaits
him but the empty gallows tree; and for glory he shall have the stifled
sobs of women, and the midnight whispers of his brother men!’
Public-domain text, read in full here on John Shaqi.
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