Mr. Whitely reddened and bit his lip, for which he is hardly to be
blamed. But he only bowed slightly in reply, leaving the inference in
your minds that he was a Philomath. How the man dares so often to—
The striking clock tells me it is later than I thought, and I must
stop.
Good-night, dear heart.
XXI
_March 12._ Our talk at the Philomathean and Mr. Whitely’s tacit
assumption of membership had their penalty for me,—a penalty which, to
reverse the old adage, I first thought an undisguised blessing. When we
separated, he asked me to dinner the following evening, to fill in a
place unexpectedly left vacant; and as I knew, from a chance allusion,
that you were to be there, I accepted a courtesy at his hands.
Although there were several celebrities at the meal, it fell to my lot
to sit on your right; my host, who took you down, evidently preferring
to have no dangerous rival in your attention. But Mrs. Blodgett, who
sat on his other side, engaged him as much as she chose, and thus gave
me more of your time than I should otherwise have had. If you knew how
happy it made me that, whenever she interrupted his monopoly of you,
instead of making a trialogue with them, you never failed to turn to
me!
“I have just re-read Mr. Whitely’s book,” you remarked, in one of these
interruptions, “and I have been trying to express to him my genuine
admiration for it. I thought of it highly when first I read it, last
autumn, but on a second reading I have become really an enthusiast.”
I suppose my face must have shown some of the joy your words gave me,
for you continued, “Clearly, you like it too, and are pleased to hear
it praised. But then it’s notorious that writers are jealous of one
another! Tell me what you think of it?”
I tried to keep all bitterness out of my voice as I laughed. “Think how
unprofessional it would be in me to discuss my employer’s book: if I
praised it, how necessary; if I disparaged it, how disloyal!”
“You are as unsatisfactory as Mr. Whitely,” you complained. “I can’t
get him to speak about it, either. He smiles and bows his head to my
praise, but not a word can he be made to say. Evidently he has a form
of modesty—not stage fright, but book fright—that I never before
encountered. Every other author I have met was fatiguingly anxious to
talk about his own writings.”
“Remember in our behalf that a book stands very much in the same
relation to a writer that a baby does to its mother. We are tolerant of
her admiration; be equally lenient to the author’s harmless prattle.”
“I suppose, too,” you went on, “that the historian is less liable to
the disease, because his work is so much less his own flesh and blood;
so much less emotional than that of the poet or novelist.”
Public-domain text, read in full here on John Shaqi.
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