agitation? I discerned another reason for this dominion--some dark and
terrible bond of complicity between the two men. What if Jacques
Termonde had employed his brother to kill my father, and proof of the
transaction was still in the murderer's possession? No doubt his hands
would be tied so far as the magistrates were concerned; but he had it in
his power to enlighten my mother, and the mere threat of doing this
would suffice to make a loving husband tremble, and tame his fierce
pride.
"I must be cool," I repeated, "I must be cool;" and I put all my
strength to recalling the physical and moral particulars respecting the
crime which were in my possession. It was my business now to try whether
one single point remained obscure when tested by the theory of the
identity of Rochdale with Edmond Termonde. The witnesses were agreed in
representing Rochdale as tall and stout, my mother had described Edmond
Termonde as a big, heavy man. Fifteen years lay between the assassin of
1864 and the elderly rake of 1879; but nothing prevented the two from
being identical. My mother had dwelt upon the colour of Edmond
Termonde's eyes, pale blue like those of his brother; the concierge of
the Imperial Hotel had mentioned the pale blue colour and the brightness
of Rochdale's eyes in his deposition, which I knew by heart. He had
noticed this peculiarity on account of the contrast of the eyes with the
man's bronzed complexion. Edmond Termonde had taken refuge in America
after his alleged suicide, and what had M. Massol said? I could hear him
repeat, with his well-modulated voice, and methodical movement of the
hand: "A foreigner, American or English, or, perhaps, a Frenchman
settled in America." Physical impossibility there existed none. And
moral impossibility? That was equally absent. In order to convince
myself more fully of this, I took up the history of the crime from the
moment at which my father's correspondence concerning Jacques Termonde
became explicit, that is to say, in January, 1864.
Public-domain text, read in full here on John Shaqi.
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