I fell at once from my fancied height as an imaginary Grand Justiciary
into the shallows of Parisian frivolity. I was about to hear chatter
upon the last play, the latest suit for separation, the latest love
affairs, and the newest bonnet. It was for this that I had eaten my
heart out all these days! The servant preceded me to the hall I knew so
well, with its Oriental divan, its green plants, its strange furniture,
its slightly faded carpet, its Meissonier on a draped easel, in the
place formerly occupied by my father's portrait, its crowd of ornamental
trifles, and the wide-spreading Japanese parasol open in the middle of
the ceiling. The walls were hung with large pieces of Chinese stuff
embroidered in black and white silk. My mother was half-reclining in an
American rocking-chair, and shading her face from the fire with a
hand-screen; Madame Bernard, who sat opposite to her, was holding her
muff with one hand and gesticulating with the other; M. Termonde, in
walking-dress, was standing with his back to the chimney, smoking a
cigar, and warming the sole of one of his boots. On my appearance, my
mother uttered a little cry of glad surprise, and rose to welcome me.
Madame Bernard instantly assumed the air with which a well-bred woman
prepares to condole with a person of her acquaintance upon a
bereavement. All these little details I perceived in a moment, and also
the shrug of M. Termonde's shoulders, the quick flutter of his eyelids,
the rapidly dismissed expression of disagreeable surprise which my
sudden appearance called forth. But what then? Was it not the same with
myself? I could have sworn that at the same moment he experienced
sensations exactly similar to those which were catching me at the chest
and by the throat. What did this prove but that a current of antipathy
existed between him and me? Was it a reason for the man's being a
murderer? He was simply my stepfather, and a stepfather who did not like
his stepson. . . .
Public-domain text, read in full here on John Shaqi.
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