England -- Fiction; Orphans -- Fiction; Runaway children -- Fiction; Young men -- Fiction
"Oh, it ain't a thing to laugh at, my lad. It's serious," he said,
taking off his hat and rubbing his head, exhaling, as he did so, a
strong smell of hair-oil.
"What is serious?" I said.
"Why, that," replied Revitts, "I ain't sure, in a case like that, it
oughtn't to be a jury of matrons."
"Oh do, pray, hurry him along, Master Antony," cried Mary piteously.
"Whatever is the matter with you to-day, William?"
"I'm married," he said severely.
"And you don't wish you weren't. William, don't say so, please,"
exclaimed Mary pitifully.
"I don't know," said Revitts stolidly. "Go on, Ant'ny."
He went on, himself, towards the Vinery, Mary following with me, and
looking at me helplessly, as if asking what she should do.
The sight of the great bunches of grapes in such enormous numbers seemed
to change the course of William Revitts' thoughts, and we went on pretty
comfortably for a time, Mary's spirits rising, and her tongue going more
freely, but there were no more weak, amiable smiles.
At last we entered the palace, and on seeing a light dragoon on duty,
Revitts pulled himself together, looked severe, and marched by him, as
if belonging to a kindred force; but he stopped to ask questions on the
grand staircase, respecting the painted ceilings.
"Are them angels, Ant'ny?" he said.
"I suppose so," I replied.
"Then I don't believe it," he said angrily. "Why, if such evidence was
given at Clerkenwell, everybody in the police-court would go into fits,
and the reporters would say in the papers, `Loud laughter, which was
promptly repressed'! or, `Loud laughter, in which the magistrate
joined.'"
"Whatever does he mean, Master Antony? I don't know what's come to him
to-day," whispered Mary.
"Why, that there," said Revitts contemptuously. "Just fancy a witness
coming and swearing as the angels in heaven played big fiddles, and
things like the conductor blew coming down. The painter must have been
a fool."
He was better pleased with the arms and armour, stopping to carefully
examine a fine old mace.
"Yes, that would give a fellow a awful wunner, Ant'ny," he said; "but it
would be heavy, and all them pikes and things ain't necessary. A good
truncheon properly handled can't be beat."
Old furniture, tapestry, and the like had their share of attention, but
Revitts hurried me on when I stopped before some of the pictures,
shaking his head and nudging me.
"I wonder at you, Ant'ny," he whispered.
His face was scarlet, and he had not recovered his composure when we
reached another room, where a series of portraits made me refer to my
guide.
"Ladies of Charles the Second's Court," I said, "painted by Sir Peter
Lely."
"Then he ought to have been ashamed of himself," said Revitts sharply;
and drawing Mary's arm through his, he hurried me off, evidently highly
disapproving of the style of bodice then in vogue.
CHAPTER THIRTY NINE.
WILLIAM REVITTS IS ECCENTRIC.
Public-domain text, read in full here on John Shaqi.
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