None should leave Assisi, not even those who only hurry over for the
day, without visiting the convent, which recalls an eastern building
from the whiteness of its great vaulted rooms, long corridors and
arcaded courtyards when seen against the bluest of summer skies.[93]
Then from the cool and spacious convent, a place to linger in upon a
hot day in August, we step out into the open colonnade which skirts
the building to the south, makes a sharp turn west, and then juts out
at the end, facing south again. This last portion was added by
Cardinal Albornoz in 1368, and goes by the name of the _Calcio_. But
two centuries later the foundations were found to be insecure, and
Sixtus IV, strengthened it by a bastion, which looks solid enough to
resist even the havoc of an earthquake. The Pope was a great
benefactor of the convent, and the friars placed his statue in a niche
in the bastion, where he sits, his hand raised in benediction, on a
papal throne overlooking the valley. From the rounded arches of rough
stone, turned by storm and sunshine to russet-red, pink and yellow, we
look out upon one of the most beautiful and extensive views in Umbria.
To the right is Perugia standing out almost aggressively on the hill
top; opposite, on a separate spur which divides the valley of Spoleto
from that of the Tiber, Bettona and Montefalco hang upon peaks like
the nests of birds in trees, and beyond are Spoleto, Trevi and Narni,
nearer again Spello, and the domes of Foligno in the plain, with a
host of small villages near. All the Umbrian world lies before us from
the convent of San Francesco.
[Illustration: SAN FRANCESCO FROM THE PONTE S. VITTORINO]
Public-domain text, read in full here on John Shaqi.
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