The grass in the garden was as high as my waist, and here and there a
rose tree, standing up above the tangle, showed a pale autumn rose; and
little old-fashioned chrysanthemum bushes bore their clusters of tawny
and lilac flowers. Beyond, I could see a kitchen garden with the apples
in the boughs, and, standing up in the midst of it, a projecting part
of the house which, to my amazement, was covered with thatch.
I was reassured at the moment by hearing Terence Murphy's voice shouting
at a distance. It must have been at the other side of the house, in the
stable-yard, I judged, and I thought I should be able to deliver my
letter before he could by any possibility reach where I was.
There was a glass door leading from the thatched room into the garden,
and I found that it stood open. I noticed that in front of it the grass
plot had been cleared and there were flowers in the borders. Within I
found a very pretty and comfortable room arranged with unexpected
tidiness. As I looked about me I remembered having heard that Terence
always kept a place in readiness for the return of his master. All the
rest of the place might be in ruin, but this room was pleasant and
home-like.
It had once been a woman's room, I thought, from certain prettinesses,
the blue, rose-wreathed carpet on the floor, the ceiling groined under
its thatch and painted in blue with a crescent moon and stars in gold,
the walls covered with silk set in panels.
But now it was a man's room, with the pleasant litter of a man's
belongings. There was a square writing-table in the window, with a
wooden chair drawn up in front of it. There were many pipes, old and
new, and whips and hunting-crops; and a gun-case standing by the wall
and some crossed weapons on the wall. I saw a pair of spurs in one
corner, and, flung carelessly on the writing-table, as though the owner
might return at any moment, there was a glove.
I took up the glove and kissed it furtively. I wished I might have taken
it to comfort me, for a sense of the hand it had held seemed to linger
about it. As I stood pressing it to my breast my eye fell on a picture
that stood on the writing-table--a picture that was like yet unlike
myself. It was a reproduction of the miniature I remembered.
There were other pictures and photographs about--men in uniform, women
of many ages, horses and dogs: one of Anthony Cardew himself, which made
my heart beat to look at it. I wished I might have taken it also, and
had the will to do it but I dared not. Besides, what right had I to such
things? Already I was trying to steel myself to destroy the one letter
he had written me. I should have no right to it when I was Richard
Dawson's wife.
A shout somewhere near at hand alarmed me. I slipped my letter under the
glove on the writing-table and fled out precipitately. Only in time, as
it proved, for Terence Murphy came round the house chasing a refractory
hen, which, as luck would have it, flew through the door I had left open
behind me.
Public-domain text, read in full here on John Shaqi.
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