There would seem to be some justifiable doubt as to the unity of
the poem. Though on the whole pagan and primitive in tone, it has
a considerable admixture of Christian elements, e.g. on pp. 29
and 30 and pp. 109-112, though the latter passage may be a late
interpolation. Generally speaking, the poetry and sentiments are
Christian in tone, but the customs are pagan. The author of the
article in The Cambridge History of English Literature, vol. i.,
to whom I owe much, says: 'I cannot believe that any Christian poet
could have composed the account of Beowulf's funeral.' One passage
is very reminiscent of Eph. vi. 16, viz. Chapter XXV. p. 111; whilst
page 25 (lower half) may be compared with Cædmon's Hymn. There are
also references to Cain and Abel and to the Deluge. Of Chapters
I.-XXXI. the percentage of Christian elements is four, whilst of
the remaining Chapters (XXXII. ad fin.) the percentage is ten, due
chiefly to four long passages. Note especially that the words in
Chapter II., 'And sometimes they went vowing at their heathen shrines
and offered sacrifices,' et seq., are quite inconsistent with the
Christian sentiment attributed to Hrothgar later in the poem. 'It
is generally thought,' says the writer in The Cambridge History of
English Literature, 'that several originally separate lays have been
combined into one poem, and, while there is no proof of this, it is
quite possible and not unlikely.'
There are in the poem four distinct lays:
1. Beowulf's Fight with Grendel.
2. Beowulf's Fight with Grendel's mother.
3. Beowulf's Return to the land of the Geats.
4. Beowulf's Fight with the Dragon.
Competent critics say that probably 1 and 2 ought to be taken
together, while Beowulf's reception by Hygelac (see 3 above) is
probably a separate lay. Some scholars have gone much further in
the work of disintegration, even attributing one half of the poem to
interpolators, whilst others suggest two parallel versions. Summing
up, the writer in The Cambridge History of English Literature says:
'I am disposed to think that a large portion of the poem existed
in epic form before the change of faith, and that the appearance of
Christian elements in the poem is due to revision. The Christianity
of Beowulf is of a singularly indefinite and individual type, which
contrasts somewhat strongly with what is found in later Old English
poetry. This revision must have been made at a very early date.'
The poem was built up between A.D. 512, the date of the famous raid
of Hygelac (Chocilaicus) against the Hetware (Chatuarii), and 752,
when the French Merovingian dynasty fell; for, says Arnold, 'The poem
contains not a word which by any human ingenuity could be tortured into
a reference to any event subsequent to the fall of the Merovingians'
(A.D. 752).
II
THE PRELUDE
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