popular character, and thus to draw visitors to their town.
The great procession of the Holy Blood has long since resumed its
decorum, and thousands of strangers from all parts of Europe annually
throng the town to witness it.
Like the Sainte Chapelle at Paris, and the old city church of St.
Etheldreda (Holborn), the Sanctuary of the Precious Blood at Bruges
consists in reality of two distinct churches, one set over the other.
The lower storey, dedicated to St. Basil, was founded, as we have seen,
by Baldwin, Bras de Fer, and is in all probability the most ancient
building in the city. There can be little doubt that this chapel was
originally the private oratory of the Counts of Flanders, adjoining
their primitive palace. The four great columns which support the vault,
the western and southern walls, and the annex, erroneously called the
Baptistry Chapel, with the adjoining buildings,
[Illustration: The Minne Water Bridge and Round Tower]
none of which were originally included in the chapel but formed part of
the Count's palace--these are the oldest portions of this most
interesting structure. In 1095 Count Robert of Jerusalem, on his return
from the Holy Land, placed here the relics of St. Basil which he had
brought with him from Cæsarea in Cappadocia; hence the dedication. Later
on, his nephew, Dierick of Alsace, in gratitude for some marvellous
answer to prayer obtained through the intercession of the saint,
restored and embellished the church; hence the erroneous tradition which
makes him its founder.
Such as Dierick left St. Basil's in 1150, so it is to-day. It has
recently been carefully and conscientiously restored, and it is perhaps
the most beautiful and perfect specimen of Romanesque architecture in
Flanders. During the work of restoration, when the pavement was renewed,
an interesting discovery was made:--the vault in which had lain, since
1412, the mortal remains of Ian Van Oudenaerde, the architect who
restored the belfry in 1396 or thereabouts, and who added the four
beautiful turrets at the angles of its second storey. The _Porte de Ste.
Croix_ and the _Porte de Gand_ are also his work, as well as the massive
round tower at the head of the Minne Water. The nave of St. Basil's has
from time immemorial been known as the Masons' Chapel. Here, until the
Revolution, the members of the Guild of Masons were wont to perform
their devotions and to celebrate annually, with great pomp, the feasts
of their patron saints, and it was doubtless on this account that Ian
Van Oudenaerde, that great Master Mason, was laid to rest in St.
Basil's.
Public-domain text, read in full here on John Shaqi.
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