This was not the only commission which Bernard executed for his august
mistress in 1521: various sums are entered in the treasury accounts for
that year as having been paid to him for various pictures, which are
there described at length; and then follows this curious item--'Et dix
(pièces d'or) des quels ma dicte dame a fait don à mon dit Maître
Bernard, outre et par dessus les dits achats d'icelles peintures et
marché fait avec luy et ce, en faveur d'aucuns services qu'il a faits à
icelle dame, dont elle ne veut pas qu'il soit fait ici mention.' What
was the mysterious business of which no mention was to be made?
Maître Bernard had evidently succeeded in winning Madame's confidence,
but six years later he thought it worth while to run a serious risk of
losing it. He was imprudent enough to give hospitality to a certain
Lutheran preacher, who had been introduced to him by the King of
Denmark, and to suffer this divine to hold forth in his house upon no
less than four occasions. Protestantism was at this time making headway
in the Netherlands, the Regent was straining every nerve to stem the
rising tide of heresy, and the most stringent penalties had been decreed
not only against the professors of the new teaching, but against all
those who should aid or abet them. It is not surprising, then, that
presently the poor Court painter found himself in the clutches of Master
Nicholas à Montibus, the inquisitor at Louvain. The situation was an
alarming one, and doubtless Bernard thanked his stars when the
inquisitor pronounced sentence; he was ordered to _aller faire amende
honorable à Sainte Gudule_, and to pay a fine of 200 florins. He did not
even lose his situation. When his old friend died two years afterwards,
her successor Marie of Hungary retained him in her service, and on the
12th of January 1534, she commissioned him to paint _un beau exquis et
puissant tableau de bois de Danemarck pour service sur le grand autel de
l' église du couvent de Brou en Bresse_, the church which Marguerite of
Austria had built in memory of her husband, Philibert of Savoy, and
where her bones lie buried. This picture has come down to us; we know
its history, and it is a curious one.
Public-domain text, read in full here on John Shaqi.
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