But his chief act of interference was when, on the death of Fulbert, the Chapter appealed to him to uphold their election of Albert the Dean to the episcopal seat against the appointment of Theodoric, a creature of Queen Constance. Eudes, seizing the opportunity of opposing the royal will, declared that he would not admit the new bishop into his town until he had been examined by a bench of bishops, for he was said to be a man of little sense and no education. Theodoric’s appointment was, however, in the end made good. The vast possessions of Eudes were divided between his sons, who, following the family tradition, refused to pay homage to the King. They were surprised by the energy of their royal suzerain, overpowered and held captive for six years. Étienne, the younger, died; but Thibault, at the price of the county of Tours, was set free by Geoffrey of Anjou. Thibault was now Count of Chartres, Blois, Brie and Champagne, but as to the delimitations of their territories endless hostilities arose between him and the Angevin prince. And when his hands were not full with the attentions of this neighbour he waged disastrous war for his King against William I., Duke of Normandy (1058). But in spite of wars and famine and disease, in spite of the violence of Counts and the weakness of Kings, Fulbert’s Cathedral was completed ere his death. The fire had left but a few columns and fragments of wall standing where once was the Cathedral of Vulphard. The winter of 1020 was devoted to clearing away the _débris_, and so active was the work, that by September in the following year Fulbert could write ‘we have finished our crypts, and’ (this is the reason why he cannot accept the invitation of William of Aquitaine to be present at the solemn dedication of the Cathedral of Poitiers) ‘we must devote all our energies to covering them before the inclemency of the winter damages them.’ But in the following year the work had made such progress that he was able to undertake a journey at King Robert’s request to Rome, leaving the building to his canons and architect. Who that architect was may perhaps be indicated by the entry in the _Nécrologie de Notre-Dame_, under date October 22:--_Bérenger_. ‘Berengarius hujus matris ecclesiæ, Artifex Bonus.’ The martyrium had suffered less than the rest of the Cathedral, but it was thought necessary to place a large round column on the Gallo-Roman wall, in order to strengthen the vaulted roof. On this column you may descry the word Fulbert, cut not in modern days, nor yet at any great distance of time. ‘The circular part of our crypt,’ says l’Abbé Bulteau,[40] ‘with its vaulting, is to-day just as it was left then.’ But the floor was probably much lower if one may judge by the embrasures of the windows. The convex wall of the martyrium was strengthened on the outside by a double thickness, for it had to support not only the thrust of the new vaulting, but also the weight of the upper church.