When in 1834 the old mansion of the founder of Cooperstown began once more to be occupied it was a matter of great interest to the people of the village. Many of them well remembered Fenimore Cooper and his bride when, twenty years before, they had lived at Fenimore. They recalled the former resident as James Cooper, for it was not until 1826 that he adopted the middle name, in compliance with a request which his mother had made that he should use her family name.[103] Twenty years had made many changes in Cooperstown, and there was a large proportion of residents who knew Fenimore Cooper only from his writings and by reputation. Therefore when he came back to dwell in the home of his youth he was regarded by many almost as a newcomer in the neighborhood, and to his family as well as to himself a rather cautious welcome was given. It had to be admitted at the outset that the changes which Fenimore Cooper made in Otsego Hall were disapproved by some of the villagers. They did not like the foreign air which the old house now began to give itself with its battlements and gothic elaborations. Here was the first muttering of the storm that clouded the later years of Fenimore Cooper. [Illustration: JAMES FENIMORE COOPER] Cooper's personal appearance was in accord with the strong individuality of his character. He was of massive, compact form, six feet in height, over two hundred pounds in weight and rather portly in later years, of firm and aristocratic bearing, a commanding figure: "a very castle of a man" was the phrase which Washington Irving applied to him. The bust[104] made by David d'Angers in Paris in 1828 gives to Cooper a classic splendor of head and countenance which is in agreement with the impression produced upon those who well remembered him. He had a full, expansive forehead, strong features, florid complexion, a mouth firm without harshness, and clear gray eyes. His head, which was set firmly and proudly upon giant shoulders, had a peculiar and incessant oscillating motion. His expressive eyes also were singularly volatile in their movement--seldom at perfect rest. He was always clean shaven, so that nothing was lost of the changes of expression which animated his mobile face in conversation. He had a hearty way of meeting men, a little bustling, and an emphatic frankness of manner which Bryant says startled him at first, but which he came at last to like and to admire. Cooper was a great talker. His voice was agreeably sonorous. He talked well, and with infinite resource. He could dash into animated conversation on almost any subject, and was not slow to express decided opinions, in which at times he almost demanded acquiescence. His earnestness was often mistaken for brusqueness and violence; "for," says Lounsbury,[105] "he was, in some measure, of that class of men who appear to be excited when they are only interested." He created a strong impression of vigor, intelligence, impulsiveness, vivacity, and manliness.