The most memorable sojourn of this vain, beautiful, decadent king,
Richard II., within the city took place in 1397 when Coventry witnessed
the preparations for the duel between Henry Bolingbroke and Mowbray,
Duke of Norfolk. The splendour of royal and knightly accoutrements at
this meeting must have dazzled the sober townsfolk, and perhaps they
shared in the bewilderment of the Court at the strange vacillation of
the King, who, when all preparations were made, forbade the duel to
take place. Holinshed[212] tells of the "sumptuous theater" on Gosford
Green wherein the lists were made ready for the combat; and wherein
too, after the combat had been stayed, the two adversaries sat two
long hours waiting until the King's pleasure should be known. When
sentence of banishment was pronounced and leave-takings over, "the duke
of Norfolk departed sorrowfullie into Almanie, and at the last came
to Venice, where he for thought and melancholie deceased"; for Harry
Bolingbroke, however, whose sentence was not like his adversary's, for
life, but for ten years, many active days remained. Gosford Green,
where this scene was enacted, is still a green, and as yet unbuilt
on. The ruins of Caludon Castle, where Mowbray, Duke of Norfolk,
passed the night before the meditated encounter with Bolingbroke, are
still visible from the highway leading from Stoke to Leicester, but
of Baginton Castle, where his adversary slept, scarcely more than
the foundations remain. Richard was lodged in a tower belonging to
Sir William Bagot, about a quarter of a mile without the town. Sir
William, who with Bushy and Greene acquired such unenviable notoriety
as creatures of Richard II., lies buried in Baginton church, where a
monumental brass of rare workmanship, now placed immediately under the
rafters of the chancel roof, once marked the place where he was laid.
It is likely that Richard saw Coventry once again when, badly horsed
and in unkingly array, in 1399 they brought him, a prisoner, on the way
from Flint on the last journey to London.
Public-domain text, read in full here on John Shaqi.
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