The courier who took D. John's letter brought back Doña Magdalena's answer, that she would come to Madrid to give him the blessing he craved and the embrace he desired, and thousands of other blessings and embraces that she wanted to give him on her own account. D. John, delighted, ordered the rooms to be prepared that were always kept in his house for Doña Magdalena, which were comfortable and apart, in one of the towers which flanked the palace, which was, as we have said, that of the Conde de Lemus, in the square of Santiago; it was spacious and magnificent, with two stories and two towers, very like the Casa de Lujan, which still exists in the Plaza de la Villa. D. John and Doña Magdalena had not seen each other since the death of Luis Quijada, and D. John was very much shocked at the great change he saw in her. Doña Magdalena was no longer the beautiful fine lady of whom good Luis Quijada had been so proud at the entertainments and solemnities of the Court. His death had freed her from the obligation of complying, like a good wife, with his wishes, innocent vanities, and the calls of high rank; and now, free from all such obligations, she had given herself entirely to the saintly impulses of her austere virtue. Two pictures of her still exist, which fully show these two phases of her life. One is in the church of St. Luis at Villagarcia, and the other in that of St. Isidoro at Oviedo, both founded by the noble dame. In the first she is seen in all the glory of her youth and beauty, which was remarkable, in magnificent attire, with costly jewels and a commanding, though at the same time modest, attitude: the great lady who hides beneath her velvet and laces the austere virtues of the saint. In the second picture she wears the severe dress of the widows of the sixteenth century, more or less similar to that of many nuns of our own day, still handsome, but worn by years, penitence and vigils; her weeds of coarse woollen material, with wide stays stiffened with wood at the waist; she wears no jewels, nor is there anything white in her dress, not even the coif or veil which surrounds her pale face; her pose is humble, but at the same time it has something noble and commanding, even elegant: the picture of the saint who cannot altogether hide under her mourning and sackcloth the dignity of the lady of high degree.