The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of lifeDabney, Virginius
History
The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of life
Dabney, Virginius
Richmond (Va.) -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
“What?” quickly put in Mr. Whacker, slightly coloring.
“The boys and girls would enjoy it,” replied Charley, demurely.
“Enjoy it? I should think so!” exclaimed Mr. Whacker, relieved to feel
that he had not uncovered his artillery.
And so my grandfather set about gathering suitable lumber for his
“Library,” as he called it; but it was nearly two years before the
structure was complete; so many trees did he find unsuitable, after they
were felled, and so carefully did he season the planks, before they were
deemed worthy of forming part of this sacred edifice. Nor, during all
this time, did Mr. Whacker ever once allude to the “Ball-Room” as likely
to prove a suitable place for his quartet performances. At last, in the
month of November, 1858, just two years before the arrival of the Don at
Elmington, the “Library” was finished, and we three were walking over
the glittering waxed floor of Mr. Whacker’s so-called Ball-Room,
admiring its proportions and the exquisite perfection of its joinery.
“Well, boys, we’ll christen her at Christmas. We’ll have one of the
liveliest dancing-parties ever seen in the county. Suppose, Jack, you go
over to the house and bring us a fiddle, and we shall see how she
sounds.”
I brought the fiddle.
“Now, Charley, toss us off a reel.”
Charley dashed into a dancing tune, and played a few bars.
“Magnificent!” exclaimed Mr. Whacker, flushing with intense delight.
“Did you ever hear such resonance!”
“Magnificent!” we echoed; and Charley resumed his playing.
“Do you know?” began he, pausing and raising his head from the
fiddle,—but on he dashed again. “Do you know, Uncle Tom?” he resumed,
biting his under-lip, as he gave a slight twist to a peg,—“Do you know,
it occurs to me that this room—” the scamp winked at me with his off
eye. “Listen!” And, placing the violin under his chin, he began to play
a movement out of one of Mozart’s quartets. “How does that sound?” he
asked, looking up into my grandfather’s face with an expression of
innocence utterly brazen.
This simple question, and the simplicity with which it was put, covered
our unsuspecting ancestor with confusion, though he himself could hardly
have told why. Before he could recover himself sufficiently to reply,
Charley went on,—
“Do you know, Uncle Tom, that it occurs to me that this room is the very
place for our quartets? How strange that it should never have occurred
to us before!” And turning to me, he bended upon me that stare of serene
stolidity under which he was wont to mask his intense sense of the
humorous. I had no such power of looking solemn and burying a smile deep
down in my heart, as the pious Æneas used to do his grief, while he was
fooling Sidonian Dido, poor thing; and so, as Charley and I had had many
a quiet joke over my grandfather’s transparent secret, I burst out
laughing.
“Why, don’t you agree with me?” demanded Charley with austere composure.
“What do you think, Uncle Tom?”
Public-domain text, read in full here on John Shaqi.
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