The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of lifeDabney, Virginius
History
The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of life
Dabney, Virginius
Richmond (Va.) -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
Leaving to some coming man the task and the credit of removing from
society all stain, by discovering who or what made society a
thief-maker, ’tis this that moved my Bushwhackerish soul to smile: this
Jean Valjean, whom society is so wicked in producing, turns out to be a
better man than any other man ever was, is, or shall be. So we, under
our very sinful system, would seem to have prepared for the elective
franchise a whole people lately buried in heathenism, without, as it
were, half trying. Nor does this claim rest merely upon that braggartism
so peculiarly Southern. The very best people on the other side—nay, the
people who, by their own admission, embrace all the culture and virtue
of the country—have been the first to give us this meed of praise,—yet
it is notorious that very few white men are yet, with all their Bacons,
and Sydneys, and Hampdens, and Jeffersons to enlighten them, qualified
for that august function. Nay, even in France herself, though she is, as
Victor Hugo says,—and he should know,—the mother and the father, and
the uncle and the aunt, and the brother and the sister of civilization,
I believe there are Frenchmen not yet fitted to wield the ballot,—among
whom, I doubt not, some profane persons would make so bold as to class
the illustrious rhapsodist himself.
CHAPTER XXIX.
“Git out o’ de way, you niggers! Aint y’ all got no manners? Git out o’
Marse Billy way! I declar’ fo’ Gaud niggers ain’t got no manners dese
days. Tain’t like it used to be. Y’ all gittin’ wuss and wuss.”
So saying, Aunt Polly made an unceremonious opening among the eager
heads of the youngsters that were thrust into the door-way; and Billy
pressed laughing through the throng, nodding here and there as he
passed. His arrival was hailed with beaming smiles by the ladies, and an
almost uproarious welcome by the gentlemen. The Don had already opened
his heart to him before he had gotten within introducing distance,
charmed by his frank and manly bearing, his hearty manner with the
gentlemen, his gentle deference to each lady in turn. So Billy’s sunny
face, his cordial rushing hither and thither to greet his friends, his
cheery laugh as he exchanged a bright word here and there,—a laugh that
revealed a set of powerful and large, though well-shaped teeth,—all
this had lighted up the thoughtful face of the Don with a sympathetic
glow,—a glow that vanished when, on their being introduced, Billy’s
fist closed upon his hand.
Mr. Billy was always a great favorite with me. Indeed, I like to think
of him as a kind of ideal young Virginian of those days,—so true, and
frank, and cordial, and unpretending. But there is one thing—I have
mentioned it above—that, as a historian, I am bound to confess: Billy
was addicted to playing on the fiddle.
Public-domain text, read in full here on John Shaqi.
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