The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of lifeDabney, Virginius
History
The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of life
Dabney, Virginius
Richmond (Va.) -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
The Don bowed,—whether in assent or dissent was not clear; nor was it
any clearer, as he gently rocked it to and fro, examining the _f_-holes
and other points of what is known as the belly of the instrument,
whether he was moved by curiosity or by courtesy. A motion of his wrist
brought the back of the instrument in view. “By Jove!” vehemently
exclaimed the stranger, as a flood of golden light flashed into his eyes
from the unapproachable varnish; but he colored and looked confused when
he saw that his warmth had drawn the eyes of all upon himself. Even
Charley ceased examining the bandage on his finger and quietly
scrutinized the Don out of the corners of his eyes.
But you should have seen your ancestor and mine, my dear boy. He rose
from his seat without saying a single word. There was an expression of
defiance in his fine brown eyes, not unmingled with solemnity. He held
out his upturned hands as though he were going to begin a speech, I was
going to say,—but it was not that. His look and attitude were those of
an advocate who has just brought a poser to bear on opposing counsel.
And such my grandfather felt was his case. “For years,” his looks seemed
to say, “I have been chaffed about my Guarnerius by you bumpkins, and
now here comes a man who puts you all down by one word.” He looked from
face to face to see if any of the company had anything to say to the
contrary. At last his eve met Billy’s. That young gentleman, willing to
retrieve his disastrous defeat in the matter of scrolls and contours and
_f_-holes, again came to the front.
“Doesn’t it shine!” remarked that unfortunate youth, approvingly.
“Shine!” shouted my grandfather, indignantly,—“shine!” repeated he with
rising voice, and rapping the back of the violin with his knuckles,—“do
you call that shiny?” said he, with another rap, and holding the
instrument in front of Billy. “Why, a tin pan shines,—a well-fed negro
boy’s face shines,—and you say _that_ shines,” he added, with an
argumentative rap. “Is that the way you are taught to discriminate in
the use of words at the University?” And the old gentleman smiled,
mollified by Billy’s evident confusion and the shouts of laughter that
greeted his discomfiture.
“Why, Uncle Tom, if that violin doesn’t shine, what does it do?”
“Why, it—well—I should say—ahem!—in fact, it—I—”
“What would you call it, Uncle Tom?” urged Billy, rallying bravely from
his rout, and trying to assume a wicked smile.
“What would I call it? I would call it—well—the violin—confound it! I
should hold my tongue rather than say that violin was shiny.” And the
old gentleman turned upon his heel and stalked across the room; but
Billy was not the man to relinquish his advantage.
“How, Uncle Tom, that is not fair,” said he, following up his adversary,
and holding on to the lappel of his coat in an affectionately teasing
manner. “Give us _your_ word.”
“Shiny! shiny!” spluttered the old gentleman with testy scorn.
Public-domain text, read in full here on John Shaqi.
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