The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of lifeDabney, Virginius
History
The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of life
Dabney, Virginius
Richmond (Va.) -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
Happy or wretched, however, let them form a frame, as it were, for the
picture I would conjure up for my reader. The first note drawn forth by
the Don had arrested their attention, and there was a rush for every
spot from which a view could be had of the performer. See them,
therefore, a few of the older ones just inside the door, the less
fortunate craning their necks behind, and upon their faces that rapt
attention which is an inspiration to an artist. See those others who,
huddled upon boxes and barrels piled beneath the windows, are flattening
their noses, one might almost say, against the lower panes. At the
library door stood one or two tidy house-maids. Uncle Dick, alone, stood
near the roaring fire, he assuming that his services were required.
“Hi! what dat?” exclaimed a youngster, when the strange sound first
broke upon his ear; for he could not see the Don from where he stood.
“Heish, boy!” broke in a senior, in stern rebuke; “Don’t you see ’tis de
new gent’mun a-playin’ on the fiddle?” And silence reigned again,—a
silence broken, from time to time, by a low, rippling chuckle of intense
delight, and illumined, one might say, by the whites of an hundred pairs
of wondering eyes.
And now let us glance at the dozen gentlemen who sat within, beginning
with my dear old grandfather.
At the first long-drawn, sonorous note he had sprung to his feet; and
there he stood, with both hands raised and extended as though he
commanded silence. And his countenance! never had I seen it look so
beautiful! A happy smile lit up his noble face, and he seemed to say as
he looked from Charley to me, and from me to Charley, “At last!” And
Charley stood leaning against a corner of the mantel-piece, with his
arms folded, replying to his friend with sympathetic glances. It was
plain to see that he was happy in his old friend’s happiness, but there
was a droll twinkle in his eyes that even he could not suppress, though
he bit his lip. What it meant I could not, of course, divine.
It was a treat to behold the Herr on this occasion. With his forearm
resting on the table, his fingers toying with the stem of his goblet, he
leaned back in his chair and smiled, through his gold-rimmed spectacles,
with a look of profound Germanic content and good nature. Not once did
he remove his benignant eyes from the Don, not even when he raised his
half-full glass to his lips and drained it to the last drop. Even then
he watched, out of the corner of his eye, the fantastic caperings of the
bow and the labyrinthine wanderings of the performer’s fingers; and
slowly replacing his glass upon the table, stroked his long and
straggling beard so softly that he seemed to fear that the sparse hairs
would mar the music by their rattling.
One word will suffice for the jolly, fat, middle-aged gentleman. He sat
with his mouth wide open, tilting back in one of my grandfather’s
skeleton chairs.
Now, that was not safe.
Public-domain text, read in full here on John Shaqi.
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