The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of lifeDabney, Virginius
History
The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of life
Dabney, Virginius
Richmond (Va.) -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
“Fo’ de Lord, I hope de crabs may eat me ef tain’t so, jess as I tell
you. Why, Lor’ bless my soul, ain’t I hear all the young gent’men say de
same?” [general satisfaction.] “On course I has! I wish I may drop dead
if I don’t b’lieve ole marster must a’ picked Richmond over pretty
close.”
The merriment elicited by this remark gave such pause to the old lady’s
eloquence that Alice was enabled to put in a word.
“But, Aunt Phœbe, tell me about the serenade?”
Phœbe looked puzzled.
“Tell us about the gentlemen’s serenade last night?”
“Lor’, chile, ole marster don’t have none o’ dem high-fangled Richmond
doin’s ’bout him; thar warn’t nothin’ but apple-toddy and eggnog.”
“But the music, Aunt Phœbe?” persisted Alice, repressing a smile.
“De music!” ejaculated Phœbe; “de music! Didn’t you hear it through de
window? You didn’t?” And she clasped her hands, shut her eyes, and began
rocking to and fro, her head nodding all the while with certain peculiar
little jerks, “Umgh-umgh!—umgh-umgh!—umgh-umgh!” This inexplicable
dumb-show she kept up some time. “Don’t talk, chillun; don’t
talk—umgh-umgh!—don’t talk,—I axed Dick dis mornin’, says I, Dick,
says I, huckum, you reckon, nobody never told ole marster as how Mr.
Smith drawed sich a bow, says I?”
“Mr. _Smith_!” exclaimed Alice, looking at the two girls with amazement
in her wide eyes.
The two girls nodded.
“Yes, Mr. Smith was de very one. Phœbe never did hear de like, never in
her born days. Sich a scrapin’ and a scratchin’, and sich a runnin’ up
and down a fiddle, Phœbe never did see, though she thought she _had_
seen fiddlers in her time.”
And she went on and gave such an account of the performance as you would
not find in any musical journal. What did she know, poor soul, about
technique, for example,—or breadth of phrasing, for the matter of that?
“_Mr. Smith_!” reiterated Alice, with stark incredulity.
“Dat was de very one!”
Alice looked from one to another of the girls.
“Did you ever!” looked they in turn.
“I thought I should a’ died a-laughin’ at young Marse Billy Jones. When
I seed him and all dem young gent’men a-scufflin’ and a-bumpin’ under
dat table, oh, Lord, says I, how long! But when Marse Raleigh, he upsot
into de fire, thinks I to myself, my legs surely is gwine for to gin way
under me!—but Marse Charley, he cert’n’y do beat all. I reckon all you
young mistisses was a-thinkin’ he had done gone and cut he finger when
he let de knife fall and went for a rag? I be bound you did; but Lor’
me, nobody don’t never know what Marse Charley is up to. Dey tell me as
how he knowed all along ’bout Mr. Smith playin’ on de fiddle; but he
never let on even to ole marster; and I heard ’em all a-questionin’ him
’bout it; but Marse Charley, he jess laugh and laugh, sort o’ easy-like,
and never tell ’em nothin’.”
“Mr. Frobisher knew what a great musician Mr. Smith was?” asked Alice,
her incredulity beginning to give way.
Public-domain text, read in full here on John Shaqi.
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