The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of lifeDabney, Virginius
History
The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of life
Dabney, Virginius
Richmond (Va.) -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
I cannot tell; but very different, doubtless, from ours. We have but to
glance at here a page and there a page of the past records of the race,
to feel quite sure that woman’s ideal man has varied much in the tide of
time. Passing by prehistoric man, lest I wound the susceptibilities of
such as claim that he never existed, and coming forward to the days of
Homer, we must suppose that the sentimental daughters of the literary
gentlemen of that day—the chiefs, to wit, who patronized the blind
bard—for rhapsody divine bartering the prosaic but sustaining bacon—we
must reckon it as probable that these young women yearned—if yearning
were in vogue at that early period—yearned to be led from the parental
roof by some Achilles of a youth, tall, broad-chested, agile as a
panther, strong as a lion, with thews of steel, soul of adamant, eye of
consuming fire. Juvenal, again, if we may pluck a leaf at random, tells
us that, in his day, a sentimental married woman who would shriek at a
mouse, let us say, was capable of braving the sea in a leaky old hulk,
eloping with all that was left of a gladiator after twenty years’
hacking in the arena. And now, making a spring forward into the last
quarter of the nineteenth century, we find the ideal of the upper ten
dozen of New York society, for example, to be a nice young man who parts
his hair and his name in the middle, leads in the “german”[1] and gets
all his “things”[2] in London. [And this sufficed till but recently. Of
late, however, as I read in the papers, the best society of New York has
grown more exacting, and no one need now aspire to be looked upon as a
lion—a knight without fear and without reproach—unless, after devoting
for some years half his time and all his mind, as it were, to the art,
he can “handle the reins” well enough to pass for a real stage-driver.
The ’bus-drivers themselves, however, whimsically enough, are not held
in half the estimation of their imitators and rivals (just as
mock-turtle soup is deemed by many superior to the genuine decoction).
They may actually be hired at two dollars a day, more or less, and seem
positively glad to get that, being to all outward seeming entirely
unconscious of the glamour attaching to their ennobling art.][3]
Public-domain text, read in full here on John Shaqi.
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