The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of lifeDabney, Virginius
History
The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of life
Dabney, Virginius
Richmond (Va.) -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
A fiddler! And a top fiddler! Shades of Byron and of Bulwer! Mary felt
an icy numbness at her heart.
Half an hour afterwards, when the two girls were nearly ready for
breakfast, she was standing behind Alice, pinning on her collar.
“Oh, Alice,” cried the little hypocrite, suddenly, as though the thought
had but just occurred to her, “what charming music we shall have now!”
“Oo-ee,” cried Alice, shrinking.
“Ah, did I prick your neck?”
“Yes; but no matter. Oh, yes, I am just dying to hear him play,—and
play he shall, or my name is not Alice Carter. There you go again! Bear
in mind, please, that the collar is to be pinned to my dress, not to my
lovely person. What _could_ have induced him to hide such an
accomplishment!” added she, stamping her little foot.
“There! That sets very nicely! I don’t know what made me so awkward. So
you think it is—wait a moment,—ah, that’s just right,—an
accomplishment?”
One man in a thousand may acquire somewhat of the art, but every woman
is born a perfect actress. True, you shall not see this perfection on
the stage. There the ambition of women is to be actresses, rather than
actresses women.
It was perfect! But Alice was not thrown off the scent.
Men can deceive men; men may hoodwink women, and be hoodwinked in turn;
but it has not been given to one woman to throw dust into the eyes of
another. The silliest girl can see through the most astute as though she
were of glass.
“An accomplishment? What? To pin people’s collars to their necks?”
“Of course not, goosey! An accomplishment for gentlemen to play on the
fid—violin?”
“Oh!” said Alice, dryly. “Why, of course it is. Any art which gives
pleasure is an accomplishment.”
“Yes, I know; but—”
“Go on.”
“I don’t think it is—exactly—oh, I don’t know what I think about it.”
“But I do,” replied Alice, quickly, turning and facing her friend.
“And what do you know that I think, that I do not know myself?” said
Mary, putting her hands on Alice’s shoulders, drawing her close, and
smiling affectionately into her eyes.
“Don’t you remember my laughing, once, at school, over the story about
Alcibiades’ refusing to learn to play on the flute, because he deemed
the necessary puckering of the mouth undignified, and that you thought
he was right? Heroes, my dear, according to your romantic notions, must
always be heroic.”
“Heroes!” exclaimed Mary, with wide-eyed innocence. “Who, pray,
mentioned heroes!” But a heightened color tinged her cheeks.
Alice, without making reply, placed her hand over Mary’s heart, and
stood as though counting its beats. “’Tis a dear little heart,” mused
she, “but—”
“But what?”
“But very susceptible, I fear.” And lifting her right hand, she shook
her forefinger at her friend. “Take care!” said she, with a voice and
look half serious, half jocular.
“Oh, don’t be uneasy about me!” And with a bright smile on her flushed
face Mary frisked away to join some of the other girls who were
descending to the breakfast-room.
Public-domain text, read in full here on John Shaqi.
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