The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of lifeDabney, Virginius
History
The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of life
Dabney, Virginius
Richmond (Va.) -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
My grandfather had been looking forward to this glorious occasion with
nervous joy. It had been several years since he had taken part in so
august a performance; and before the first cigars were half burned out
he had begun to fidget and look at his watch. Charley, therefore, was
not long in proposing a move.
“Now, ladies,” said my grandfather, on reaching the parlor, “I, for one,
cannot understand how it is that there are some people who don’t love
music; but there are such people, and very good people they are, too.
Now, this is Liberty Hall, and every one must do as he pleases. We are
going to make some music; but no one need go with us who prefers
remaining here. If there are any couples, for instance,”—and Mr.
Whacker raised his eyes to the ceiling—“who have softer things to say
than any our instruments can produce” (Jones and his girl looked
unconscious), “let them remain and say them. Here is the parlor, there
is the dining room; arrange yourselves as you would. And now, Mrs.
Poythress, will you take my arm and lead the way?”
Jones and Jones’s girl were the first to move, and we were soon on our
way across the lawn; while dark cohorts brought up the rear and covered
the flanks of the merry column.
“To me!” said Mary, when the Don had offered her his arm. “I feel much
honored.” And with a formal bow she rested the tips of her fingers upon
his sleeve.
The irony of her tones grated upon his ear, and he turned quickly and
bent upon her a puzzled though steady gaze.
“Honored?”
That look of honest surprise reassured her woman’s heart, but made her
feel that she had forgotten herself in meeting a courtesy with an
incivility.
They always know just what to do.
Passing her arm farther within his, and leaning upon him with a
coquettish pressure, she looked up with a gracious smile.
“Certainly. Have I not the arm of the primo violino,—the lion of the
evening?”
And the primo violino wondered how on earth he had ever imagined that
she was vexed.
Very naturally, I cannot remember, after the lapse of years, what
quintet they played that evening. All that I distinctly recall is that
it was a composition in which the piano was very prominent. My
grandfather was (as I have, perhaps, said before) as proud of Lucy’s
playing as though she had been his own daughter; and I suspect that he
and the Herr made the selection with a view to showing her off.
Public-domain text, read in full here on John Shaqi.
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