The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of lifeDabney, Virginius
History
The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of life
Dabney, Virginius
Richmond (Va.) -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
“Yes, mistiss, Sam _is_ hard to please.” [Three weeks from this date Sam
led to the altar a widow with one eye and eleven children,—making an
even dozen,—who was lame of the left leg, black as the ace of spades,
and old enough to be his mother.] “I won’t ’spute dat. Ain’t I
patternin’ after Marse Charley? Slow and sho’ is de game Marse Charley
play, and Sam’s a-treadin’ in he tracks. Lor’, mistiss, you wouldn’t
believe how many beautiful young ladies has been a-fishin’ for him; but
pshaw! dey mought as well ’a’ tried to land a porpoise wid a pin-hook!”
Encouraged by the smiles evoked by this bold comparison, Sam bloomed
into metaphor:
“But he was not to be cotched, not he! Leastwise not by dem baits.
‘Never mind, Marse Charley,’ says I to myself, ‘never you mind. You
g’long! Jess g’long a-splashin’ and a-cavortin’ and a-sniffin’!’ ’Fore
Gaud dem’s my very words, ‘but d’yar’s a hook somewhar as will bring you
to sho’ yet,’ says I; ‘and dat hook is baited wid de loveliest little
minner,’—umgh-u-m-g-h! Heish! Don’t talk!”
Charley could scarcely suppress his delight. “And how soon,” said he,
carelessly dropping his hand into his pocket,—“how soon am I to be
landed?”
“How soon?” repeated Sam, leaning upon his heavy staff and reflecting
with a diplomatic air. “How soon? Lor, mahrster, what for you ax a
nigger dat question? How is a nigger to know? But I do believe,” said
he, turning his back upon the river, and at the same time landing his
metaphor, “dat you have done jumped over into de clover-field already,
and you ain’t gwine to jump back no mo’.” (Here Charley withdrew his
hand from his pocket and threw his arm casually behind him, across the
gunwale of the Argo.) “Leastwise,” he added with a
perceptible-imperceptible glance at Alice,—“leastwise I don’t see how
you could have de heart to do it.”
Here Charley gave a slight movement of his wrist, invisible to Alice;
and Sam, with a few sidelong, careless steps, placed himself behind his
master. He stooped and rose again, and Alice saw in his hand three or
four oyster shells. These he dropped from time to time, pouring forth,
meanwhile, a wealth of tropes and figures drawn from both land and sea;
but the last shell seemed to fall into his pocket.
An Anglo-Saxon, if he have a well-born father, a careful mother, and
half a dozen anxious maiden aunts, you shall sometimes see hammered into
the similitude of a gentleman; but in your old Virginia negro
good-breeding would seem to have been innate.
“Some says dat d’yar is as good fish in de sea as ever was cotched out
of it; but I tells ’em, when you done pulled in one to suit you, you
better row for de sho’ less a squall come and upsot de boat. Well,
good-evenin’, Miss Alice, and good-evenin’, Marse Charley!” And with
polite left foot and courteous right the black ploughman sent rolling
the shining sand.
“There, now,” said Alice, “you see! What did I tell you?”
“Oh,” replied Charley, “Sam will keep dark!”
Public-domain text, read in full here on John Shaqi.
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