The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of lifeDabney, Virginius
History
The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of life
Dabney, Virginius
Richmond (Va.) -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
The neighbor cast her eyes towards the boat, and seeing among the
approaching guests Lucy leaning on the Don’s arm, thought her own
thoughts.
The day was an unusually warm one for February, and, a vote being taken,
it was decided not to enter the house; and our friends soon grouped
themselves to their liking on the sunny piazza; the elders at one end,
in the middle the young people, except Charley and Alice, who sat by
themselves at the other end of the porch.
These twain often found themselves isolated now. Wherever they chose
their seats every one seemed to think they needed room, and moved
off,—treatment that Charley bore like the philosopher that he was. The
fact is that, from being a man who seemed to have nothing to say, he
became, about this time, one who could not find time to say all that he
had on his mind. At this period of his life he used to lie awake in bed,
for hours and hours, as he has since confessed to me [And to me. _A._]
[Wh-e-e-e-w! _C. F._], running over in his mind the things that he had
omitted to say to Alice the evening before, and resolving to say them
all immediately after breakfast next morning. On this occasion a
mountain torrent of words had risen in his soul during the hour’s
absence of his charmer in the Argo. But he was not uttering them. Nor
did it matter in the least, as they would have been as like thousands of
others that he had been whispering and whispering into her rosy ear, as
one drop of water of the supposed torrent was like another. The twain
were rather silent, in fact. They were quietly watching the Don and
Lucy.
One other pair of eyes took in every movement of the Don, another pair
of ears lost never a word nor an inflection of his voice. (Mary was, it
is true, engaged in an animated discussion with Mr. Poythress on the
subject of Byron,—he denouncing the man, while she lauded the
poet,—but then she was a woman.) “How changed he is!” sighed she. “A
moment ago, pale as ashes; how bright and cheerful now! And Lucy! I
think I should try not to look _quite_ so happy, if I were you! Why not
announce your engagement in words, as you are doing every moment by your
manner?”
Alice, on the contrary, to Charley: “How well he is acting his part! He
knows we are looking at him, and see the easy air of an old friend that
he has assumed towards Lucy! Not assumed, either, for his bearing
towards her has always been just that.”
“So I have always thought,” said Charley.
“Certainly; only that manner is rather more pronounced than usual. The
merest glance would convince any one that he was no lover of Lucy’s.”
“‘He that hath bent him o’er the dead,
Ere the first day of death is fled,—
The first dark day,’” etc., etc.,
quoted Mary.
Public-domain text, read in full here on John Shaqi.
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