The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of lifeDabney, Virginius
History
The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of life
Dabney, Virginius
Richmond (Va.) -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
Know, all women and clergymen, of this and more or less future
generations, that the story I am telling has very narrow limitations, as
well in time as in space. It is of Virginia[1] alone that I am writing.
Of Virginia _not_ in the fourth quarter, but Virginia in the beginning
of the second half of the nineteenth century. Strolling through this
narrow field, at this particular harvest-time, I have selected three
sheaves wherewith to fashion such rural picture as my hand should have
cunning to form.
Lucy, I chose, originally, as symbolizing the purity and simplicity of
the womanhood of our old Virginia life. But of her I am conscious that I
have given the merest outline; and I find that I cannot fill in the
picture adequately, and at the same time maintain the rigidly
monographic type of my work. Let her stand, therefore, just outside of
our central group (where the full light falls), illumining the
half-shadow with her gentle, St. Cecilia look. Is that a smile that
lights her eye, or is it the glancing of a tear?
Our Alice illustrates for us, as I have said elsewhere, the careless
freedom of those old days, and shows how our democratic-aristocratic
Virginia girls could be gay without being indiscreet, joyous yet not
loud, unconventional yet full of real dignity; how, in the hundreds of
years that separate them from the mother-country, they have shaken off
English stiffness, while clinging fast to English love of liberty. But
she is fully capable of speaking for herself; and we pass on to Mary
Rolfe.
The reader has already, I hope, a tolerably clear conception of this
young person. Stature below the average, eyes full of soul, a manner
painfully shy with strangers, childlike and confiding with intimates; a
mind admirably stored, considering her years, with all that can adorn;
often silent, and preferring to hear rather than to be heard, but
murmuring, when, forgetting her reserve, she does speak, like a brook,
and in a voice of such surpassing sweetness that one could have wished
that, like the brook, she would go on forever. Eloquent rather than
witty. And I fear few would have called her wise. For the rest, full of
high imaginings, and a born hero-worshipper.
Public-domain text, read in full here on John Shaqi.
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